Showing 361–384 of 609 results

RENE BUTHAUD – VASE, 1922-1923

VASE, 1922-1923
Polychrome enamelled crackled ceramic, featurig three stylized women sitting in different postures
Signed R Buthaud
32 cm. high
25 cm. diameter

Exhibition
Tamara De Lempicka, Reina del Art Deco, Palacio de Gaviria, Madrid, 5 October 2018-24 February 2019

Bibliography
Pierre Cruège René Buthaud 1886-1986, les éditions de l’amateur, 1996, front cover page and p. 79
Gioia Mori, Tamara De Lempicka, Reina del Art Deco, Palacio de Gaviria, Madrid, 5 October 2018-24 February 2019, Arthemisia Books, p. 148

EMILE GALLE – VASE “CYCLAMENS”, 1898-1900

VASE “CYCLAMENS”, 1898-1900
Flattened glass with intercalary inclusions, decor in marquetry finely wheel carved
Signed
22 cm. high

Bibliography
Richard Dennis, The Glass of Emile Gallé, Antiques International, London 1967, p. 189, pl. 17

DAUM NANCY – VASE “CINERAIRES”, CIRCA 1910

VASE “CINERAIRES”, CIRCA 1910 
Clear glass with white, yellow and blue inclusions
The flowers and leaves are acid-etched and wheel carved
Signed
40.5 cm. high

Bibliography
Clotilde Bacri, Daum, Michel Aveline éditeur, 1992, ill. p. 68

THEODORE DECK – PLATE, CIRCA 1900

PLATE, CIRCA 1900
Polychrome cloisonné enamel decorated with dragonflies and a vegetal decor
Signed
50 cm.

Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill. p. 128

EUGENE GRASSET – VEVER – “APPARITIONS” BROOCH, CIRCA 1900

“APPARITIONS” BROOCH, CIRCA 1900
Gold, enamel, ivory and cabochons topaz
Signed; with gold mark and maker’s mark
6 x 4 cm.

Exhibition
Exposition Universelle, Paris, 1900, groupe XV, classe 95 (now at the Musée d’Orsay), ill. in colour on the cover
of the Decorative Arts catalogue of the Musée d’Orsay
Le Bijou 1900, Hôtel Solvay, Bruxelles, May 1965, n. 83
French Jewellery of the Nineteenth Century, Wartsky, Londres, 13-23 June 2001, ill. in color on the cover of the catalogue
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin…, Nancy, Musée des Beaux-Arts, Musée de l’Ecole de Nancy,
6 May-28 August 2006, ill. p. 232, n. 170 in the exhibition catalogue
Eugéne Grasset, 1845-1917. L’art et l’ornement. Musée cantonal des Beaux-Arts, Lausanne, 18 March-13 June 2011,
n. 167, ill. p. 149

Bibliography
Maud Ernstyl, Les Bijoux d’Art à l’Exposition de 1900, Revue de la Bijouterie, Joaillerie, Orfèvrerie, n. 9, January 1901, ill. p. 152
Henri Vever, La Bijouterie française au XIXème siècle, Paris, 1908, ill. p. 669
International Exhibition of Modern Jewellery 1890-1961, Goldsmith’s Hall, London 1961 n. 352
G. Hughes, Modern Jewelry. An International Survey 1890-1964, London 1964, p. 103, ill. n. 172
Jean Lanllier, Marie-Anne Pini, Fünf Jahrhunderte abendländischer Schmuckkunst, München 1971, ill. p. 205
Victor Arwas, Berthon & Grasset, Academy editions, London, 1978, ill. p. 82
Anne Murray-Robertson, Grasset – Pionnier de l’Art Nouveau, Bibliothèque des Arts, Paris, 1981, ill. p. 90
Les Fouquet, Musée des Arts décoratifs, Flammarion, 1983, ill. p. 20
Vivienne Becker, Art Nouveau Jewelry, Thames and Hudson Ltd, London 1985, ill. p. 56, ill. n. 62
Michael Koch, Evelyne Possémé & al., Pariser Schmuck Vom Zweiten Kaiserreich zur Belle Epoque, Hirmer Verlag München, 1989, ill. p. 202, n. 123
A. Kenneth Snowman & al., Ma?tres Joailliers, Thames and Hudson Ltd, London, 1990, repr. p. 150
Art Nouveau 1890-1914, V & A publications, 2000, ill. p. 23
Philippe Thiébaut et al., l’ABCdaire du Symbolisme et de l’Art Nouveau, Flammarion, Paris, 1997, ill. p. 51
Rolende van Strydonck de Burkel, Le Bijou Art Nouveau en Europe, Editions Racine, Bruxelles, 1998, ill. p. 96
Anne Murray-Robertson, Eugène Grasset – Un certain regard de la femme, 1998, ill. p. 50
Renate Ulmer, Art Nouveau Symbolismus und Jugendstil in Frankreich, Arnoldsche, 1999, ill. p. 259, n. 261

JOE DESCOMPS – LEON GARIOD – GOLD, ENAMEL, PERIDOT, PEARL PENDANT, CIRCA 1900

GOLD, ENAMEL, PERIDOT, PEARL PENDANT, CIRCA 1900
Bearing the monogram of the artist
With eagle’s head and maker’s mark

Bibliography
We can compare this pendant to a pendant exhibited at the Salon des Artistes Français in 1901 and ill. in l’ Art Décoratif, July 1901, p. 142
Mario Amaya, Art Nouveau, Studio Vista Limited, 1966, ill. p. 113
Ulrike von Hase-Schmundt, Jugendstil schmuck – Die europäischen Zentren – Von 1895 bis 1915, Wilhem Heyne Verlag, München, 1998, similar example ill. p. 57
Imperishable Beauty – Art Nouveau Jewelry, MFA Publications, Museum of Fine Arts, Boston, USA, ill. p. 140, (Collection Sataloff)

FREDERIC BOUCHERON – EMILE GUILLAUME – LUCIEN HIRTZ – A PAIR OF ‘’FLAMBEAUX’’ CANDLESTICKS, CIRCA 1900

A PAIR OF ‘’FLAMBEAUX’’ CANDLESTICKS, CIRCA 1900
Fine-cut gilt silver, carved ivory and translucent enamel
Signed F. Boucheron and Emile Guillaume, with silversmith and French Minerva marks
32.5 cm. high

Exhibition
Exposition Universelle, Paris, 1900
L’Exposition des ivoires, Palais Galliera, June 1903
Exposition de la Maison Boucheron, described as ”Flambeaux. Statuettes d’ivoire”, by Guillaume
Boucheron 130 années de création et d’émotion, Institut de France,
Musée Jacquemard – André, Paris,
16 September – 31 October 1988, n. 61 in the catalogue

LOUIS DEJEAN – ADRIEN-AURELIEN HEBRARD – “LA DAME AU GRAND MANTEAU”

“LA DAME AU GRAND MANTEAU”
Bronze with a dark brown patina, cast after 1905
Signed, marked (M), and with foundry mark;
bearing an exhibition label at the Musée des
Arts Décoratifs, Paris,
marked 1933 and M. Hébrard; an inventory label marked 2487; and another label marked Douane Centrale / Paris
37.5 cm. high

Another example commissioned by the French State in 1904 for the Musée du Luxembourg belongs to the Musée d’Orsay, Paris, inv. LUX 214

Exhibition
Salon National des Beaux-Arts, Paris, 1904, 1899 for an example in terracotta
Exposition de la statuette, Musée Galliéra, Paris, 1914, n. 152 of the exhibition catalogue
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin…, Nancy, Musée des Beaux-Arts
Musée de l’Ecole de Nancy, 6 May – 28 August 2006, ill. p. 237, n. 176 in the exhibition catalogue

Bibliography
L’Art Décoratif, June 1904, an example in plaster ill. p. 230