Art Nouveau & Art Déco - Gallery in Monaco
Showing 193–216 of 390 results
VASE, CIRCA 1905
Repoussé copper with brown patina
Signed underneath and bearing the inscription Edité par l’auteur à dix exemplaires numérotés. N°1
12 cm. high
16.4 cm. diameter
Exhibition
Société Nationale des Beaux-Arts, 1905
Bibliography
Art et Décoration, August 1905, ill. p. 47
La Décoration Moderne, XIIIème année, ill. pl. 102
Bronze with black patina
Signed, bearing foundry mark and numbered 57159 7
Exhibition:
Société des Artistes Français, 1899, n°3927
Bibliography:
Art et Décoration, septembre 1899, ill. p. 82
Bronze medallion
Signed with the initials of the artist, titled, and with foundry mark C. LEYRER MUNCHEN
“THE SECRET”, CIRCA 1900
Patinated bronze sculpture with medal and brown patinas; the base in marble
Signed
69 cm. high
With the base: 74 cm. high
PLATE, CIRCA 1900
Polychrome cloisonné enamel decorated with dragonflies and a vegetal decor
Signed
50 cm.
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill. p. 128
Patinated bronze base, the shade in openwork metal
Signed on the base
Bibliography:
Le Style Moderne – L'Art Appliqué, 1ére année, 1903-1904, H. Laurens, éditeur, ill. pl. 5, fig. 4.
Hammered copper with silver inlays decoration, a cicada in relief
Signed underneath H. Husson, stamped with the artist's monogram
TABLE BELL, CIRCA 1900
Gilt bronze
Signed
14.2 cm. high
Bibliography
Albert Thomas, Petits bronzes d’Art, L’ Art Décoratif, February 1901, p. 183 to 189
Grès with a sang-de-boeuf and celadon glaze
Signed, bearing a label of la maison Rouard
Silver, decorated with sunflowers highlighted with gold
Signed
PAIR OF CANDLESTICKS, CIRCA 1900
Gilt bronze, the base in marble
Signed and with foundry mark E. COLIN & Cie / PARIS
33.4 cm. high
“KNEELING KING OFFERING HIS CROWN TO A YOUNG WOMAN”, CIRCA 1900
Polychrome enamel on copper
Signed lower right Grandhomme Garnier
15 x 12 cm.
“WOMAN IN LANDSCAPE AT SUNSET”, CIRCA 1889
Enamel on copper, after a design by Gustave Moreau
Signed lower left Garnier Grandhomme inv.
and marked on the reverse Grandhomme Garnier / Emailleurs / 1889 / Paris
8 x 12.5 cm.
Bibliography
Taxile Doat, Causerie d’un émailleur, Revue des Arts Décoratifs, 1891, ill. p. 78
Sculpted pear wood and gilt bronze
Exhibition:
Société Nationale des Beaux-Arts, 1897 for a variation of this design
Bibliography:
Art et Décoration, avril 1897, the model without the side elements ill. p. 107
Der Modern Stil, Julius Hoffmann éditeur, 1899, vol. I, ill. pl. 64,
for the one exhibited at the Société Nationale des Beaux-Arts
Der Moderne Stil, 1903, ill. pl. 82
“ORCHIDEES”, CIRCA 1900
Earthenware vase decorated with low-fired iridescent glaze
Signed underneath KG/Lunéville/Bussière
Bibliography
L’Estampille L’Objet d’Art, n. 349, Ernest Bussière, la redécouverte d’un céramiste Art nouveau, p. 26 to p. 29
Exhibition
Exposition de l’alliance provinciale des industries et d’art de l’école de Nancy, Pavillon de Marsan, Paris, 1903
Céramiques végétales – Ernest Bussière et l’art nouveau, musée de l’école de Nancy, 2000, ill. p. 49, n. 27
Die Jugend Der Moderne, Villa Stuck, Munich, 28 October 2010 – 23 January 2011, ill. p. 105, n. 88
“BRACTEE D’OMBELLE”, CIRCA 1900
Earthenware vase decorated with low-fired metallic iridescent glaze,
decorated with leaves and openwork stems
Signed underneath K.G. Lunéville BUSSIERE
28 cm. high
Exhibition
Exposition de l’Alliance Provinciale des Industries d’Art, Union Centrale des Arts Décoratifs, Paris, March 1903
Nancy 1900 Jugendstil in Lothringen, Münchner Stadtmuseum, 1980, n. 409, p. 365
Christian Debize, L’Ecole de Nancy, Presses Universitaires de Nancy, 1993, ill. p. 89
Céramiques végétales – Ernest Bussière et l’Art Nouveau – Musée de l’Ecole de Nancy, 21 June-25 September 2000, ill. p. 44
A GOURD-SHAPED EWER, DESIGNED 1889
Glazed Sèvres porcelain
Marked with Sèvres Manufacturer’s triangular stamp and dated 1904
15 cm. high
Enamelled porcelain
With Maker's marks
Bronze with brown patina
Signed, with foundry mark and numbered 13
Bibliography:
Raymond Huard, Jules Desbois, ill. p. 65
Sculpted and patinated horn, glass beads
Signed
“DANSEUSE AUX FLAMBEAUX N°1”, “DANSEUSE AUX FLAMBEAUX N°15”
“Danseuse aux flambeaux n°1”
Bisque ceramic sculpture
Oval base, leaves and cabochons in relief highlighted with gold
Inscribed: 4 avril 1905 donné à Mgr le duc d’Orléans; bearing the rectangular SEVRES seal
38 cm. high
“Danseuse aux flambeaux n°15”
Bisque ceramic sculpture
Oval base, leaves and cabochons in relief highlighted with gold
Bearing the rectangular SEVRES seal and triangular one (S and dated 1915)
38 cm. high
Exhibition
Société Nationale des Beaux-Arts, 1897
Exposition Universelle, Paris, 1900
Agathon Léonard Le geste Art nouveau, musée d’Art et d’Industrie, Roubaix and musée département de l’Oise at Beauvais, 2003, ill. p. 48, n. 23
Bibliography
Le biscuit de Sèvres, published by par Emile Bourgeois and Geo. Lechevallier-Chevignard, tom II, ill pl. 17, n. 1119
“Danseuses au cothurne N°5”
Bisque ceramic sculpture
Numbered 5; bearing the rectangular seal.; incised: V – 1900 – 9
“Danseuses chantant N°2”: Sold
Bearing the rectangular SEVRES seal, letter T (initials of the worker finisher) and the date 1901 incised next to the seal
Stoneware
Signed
Stoneware
Signed