Showing 433–456 of 609 results

MAURICE CHARPENTIER-MIO – A BRONZE BAS-RELIEF, 1919

A BRONZE BAS-RELIEF, 1919
Featuring five poses of the dancer Anna Pavlova in Rondino
Bearing the monogram of the artist, dated 1919 and numbered 1
Bearing an old label at the back: Croquis de gestes dancés / Anna Pavlova dans Rondino / de Beethoven-Kzcissler
11 x 29 cm.

EMILE ROBERT – PLANT STAND, CIRCA 1900

PLANT STAND, CIRCA 1900
Wrought iron
69 cm. high
92 cm. wide

The vase is sold separately

Bibliography
Karin Blanc, Ferronnerie en Europe au XXème siècle, éditions Monelle Hayot, 2015, ill. p. 195

RENE DEFLANDRE – A MUSIC CABINET, 1900

A MUSIC CABINET, 1900
Chery wood; the figures in carved orange wood
170.5 cm. high
68 cm. wide

Bibliography
Meubles de style moderne à l’Exposition Universelle de 1900, Sections française et étrangères, published under
the direction of Th. Lambert, architect, Charles Schmidt editor, Paris, nd. ill. pl. 39, fig. 7

Exhibition
Exposition Universelle de 1900, Paris, section de l’Ecole des Beaux-Arts et des Sciences industrielles, Toulouse

LOUIS-AUGUSTE THEODORE-RIVIERE – “ADAM ET EVE”, OR “L’ETREINTE”, OR “PARADIS PERDU”, CIRCA 1900

“ADAM ET EVE”, OR “L’ETREINTE”, OR “PARADIS PERDU”, CIRCA 1900
Bronze with a green patina representing a naked couple, embracing; lost wax cast
Signed
33 cm. high

Another example in bronze: Gift of Mrs Alma de Bretteville Spreckels to the Museum of the Legion of Honor,
San Francisco, inv.: 1937-8-6, 1948, now at the Maryhill Museum, Washington, USA, inv.: 14-19
Another example in ivory: acquisition of the city of Paris for the Musée Galliéra collection, 1906, now at the Petit Palais,
Paris, inv. : O.GAL.129

Exhibition
Musée Galliéra, 1903, Art de l’Ivoire
Salon de la Société des Artistes français, 1905, section des Arts Décoratifs, n° 5017
Palais Galliéra, 1914 Exposition de la statuette et du meuble qui l’accompagne, n. 379
Inaugural Exposition of French Art in the California Palace of the Legion of Honor, Lincoln Park,
San Francisco, California, 1924-1925, example in bronze, n. 197

Bibliography
Maurice Rheims, The flowering of Art Nouveau“, Harry N. Abrams Inc., New York, n.d., example in ivory ill. p. 203, n° 250
L’Estampille, mars 1983, n° 155c, p. 63. “Adam et Eve enlacés, le visage de l’homme enfoui dans le creux de l’épaule de sa
compagne qui, angoissée, regarde le ciel…”

LOUIS-ERNEST BARRIAS – SUSSE FRERES – “LA NATURE SE DÉVOILANT DEVANT LA SCIENCE”, CIRCA 1900

“LA NATURE SE DÉVOILANT DEVANT LA SCIENCE”, CIRCA 1900
Gilt bronze and marble sculpture with
polychrome highlights; the scarab in sodalite; the base in green marble
Signed E. Barrias, and with foundry mark Susse Frères éditeurs, Paris
58 cm. high

Exhibition
Exposition Universelle of 1900, an example with two patinas illustrated in the exhibition catalogue,
Liège, 1903

Bibliography
Illustrated in the Susse Frères catalogues,
1905 and 1910
Les bronzes du XIXème, P. Kjellberg, Éd. de l'amateur 2005, p.50
Bronzes Sculptors & founders 1800-1950, H. Berman, Abage publishers, 1977 tome 3 n. 1387 p. 375

JULES DESBOIS – ADRIEN-AURELIEN HEBRARD – “DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906

“DANSE” OR “FEMME NUE A L’ÉCHARPE”, 1906
Bronze sculpture; lost wax cast by Hébrard
Signed
34.3 cm. high

A similar example in terracotta at the musée d’Orsay, inv. n. RF3199
Model in plaster and tissue, Zimmerli Art Museum, New Jersey, USA

Exhibition
1914, Musée Galliéra, Exposition de la statuette et du meuble qui l’accompagne

Bibliography
Musée d’Orsay. Catalogue sommaire illustré des sculptures, similar example in terracotta illustrated p. 142, n. RF3199
Breaking the Mold-Sculpture in Paris from Daumier to Rodin, Edited by Phillip Dennis Cate,
published by the Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, ill. p. 67, n°140,
October 23, 2005-March 12, 2006

CAMILLE COLOT – TABLE LAMP, CIRCA 1909

TABLE LAMP, CIRCA 1909
Wrought iron; the original shade in carved horn
Signed
53 cm. high

Exhibition
Salon des Artistes Français, Paris, 1909

Bibliography
L’Art Décoratif aux Salons de 1909, Librairie d’Art Décoratif, Armand Guérinet éditor, ill. pl. 35-36

DAUM NANCY – AN IMPORTANT VASE, CIRCA 1900

AN IMPORTANT VASE, CIRCA 1900
Blown glass vase decorated with mushrooms, oak leaves and pincones
Acid-etched, wheel-etched, carved
Engraved signature
51 cm. high

Exhibition
Takashimaya, exposition itinérante au Japon, 1986, n. 86, ill. p. 19

DAUM NANCY – BOTTLE AND STOPPER, CIRCA 1900

BOTTLE AND STOPPER, CIRCA 1900
Opalescent amber glass bottle decorated with catkins
Deeply acid-etched and carved; three applications on platinum foil including one on
the stopper
Engraved signature
11.5 cm. high

ERNEST BUSSIERE – “PERIANTHE” VASE, CIRCA 1900

“PERIANTHE” VASE, CIRCA 1900
Earthenware vase decorated with low-fired glazes
Signed underneath KG / Lunéville / Bussière and numbered 3 B
14 cm. high

Exhibition
Exhibition at the Ecole de Nancy, Paris, 1903
Atlanta Nancy, Céramique Lorraine : chefs d’oeuvre des XVIIIe et XIXe siècles, Atlanta High Museum of Art, 1990-1991;
Nancy, Musée Historique Lorrain, 1991, cat. n. 216
L’Ecole de Nancy, 1889-1909 : Art Nouveau et industries d’Art, Nancy, Galerie Poirel, 1999, cat. n. 21
Metz Nancy, Nancy Metz : une histoire de frontière 1861-1909, Metz, musée de la Cour d’Or, 1999-2000, cat. n. 231 and 232
Musée de l’Ecole de Nancy, Céramiques végétales / Ernest Bussière et l’art nouveau, 21 June-2 September 2000, cat. n. 64, 65 and 66,
illustrated on the cover

Bibliography
La Lorraine Artiste, L’Ecole de Nancy à Paris, Emile Gallé, 15 March 1903, ill. p. 86
Annabelle Hery, La faïencerie de Lunéville 1786-1923 : les Keller et Guérin, Vesoul, 1999, p. 103
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 84