EMILE GALLE – GUERIDON “AUX OMBELLES”, CIRCA 1900
GUERIDON “AUX OMBELLES”, CIRCA 1900
Sculpted, walnut and exotic wood marquetry
Signed
76 cm. high
The top shelf: 47 x 81 cm.
Showing 529–552 of 576 results
EMILE GALLE – VITRINE, CIRCA 1900
VITRINE, CIRCA 1900
Decorated with marquetry panels and sculptures
of snails, bats, peacock moth and acanthus leaves,
the base entirely sculpted with bats
Signed
191 x 93 x 50 cm.
Another example
The Yamazaki Mazak Museum of Art, Japon, inv. n° ANF-360901
Bibliography
The Yamazaki Mazak Museum of Art, Glass, Ceramic and Furniture, Japon, 2010, ill. p. 114 & 115
Georges de Bartha & al, Gallé furniture, Antique collectors club, 2012, ill. p. 299
EDMOND HENRI BECKER – SNAKE AND APPLE INKWELL, CIRCA 1900
SNAKE AND APPLE INKWELL, CIRCA 1900
Gilt bronze
Signed BECKER
9 cm. high
LOUIS MAJORELLE – DAUM NANCY – TABLE LAMP, CIRCA 1910
TABLE LAMP, CIRCA 1910
Wrought iron base and mottled glass shade
the inner part acid etched with a fern motif
70 cm. high
MANUFACTURE NATIONALE DE SEVRES – LOUIS-AUGUSTE THEODORE-RIVIERE – ”DANTE ET VIRGILE”, 1903
”DANTE ET VIRGILE”, 1903
Biscuit
Signed, marked with the manufacturer’s stamp,
stamped A.C (Alphonse Cieutat) and numbered 03.04 (April 1903)
36 cm. high
Bibliography
Colette Dumas, Théodore Rivière, sa vie, son œuvre, n. 78
CHARLES-EMILE JONCHERY – MANTEL CLOCK, CIRCA 1900
MANTEL CLOCK, CIRCA 1900
Gilt bronze, decorated with flowers and writhing vines encircling a woman’s face
Signed
38 cm. high
27 cm. wide
16 cm. deep
EDMOND HENRI BECKER – LEBLANC-BARBEDIENNE – IMPORTANT CARTEL CLOCK, CIRCA 1900
IMPORTANT CARTEL CLOCK, CIRCA 1900
Gilt and chased bronze; the medallions bearing the names of the four seasons
Signed E. Becker, F. Barbedienne, marked FUGIT IRREPARABILE TEMPUS
90 cm. high
Exhibition
Exposition Universelle, 1900
Bibliography
Les Industries d’Art à l’Exposition Universelle de 1900, from Victor Champier, published by la Revue des Arts Décoratifs, Paris 1902
EDMOND HENRI BECKER – SARAH BERNHARDT IN “GISMONDA”, CIRCA 1900
SARAH BERNHARDT IN “GISMONDA”, CIRCA 1900
Carved gilt bronze medallion, light relief
Bearing the monogram of the artist
Based on the etching of Théobald CHARTRAN, engraved by Adolphe LAMOTTE
21.3 x 15.3 cm.
This model was also made as a gilt bronze medal (3.5 x 2.2 cm.) with the following inscription
on the back: Becker according Chartran and FIX. Fix was the name used by the jeweler Savard
GEORGES FLAMAND – “WOMAN AND PEACOCK” FOOTED VASE, CIRCA 1900
“WOMAN AND PEACOCK” FOOTED VASE, CIRCA 1900
Gilt bronze; the central motif decorated with a red cabochon,
and each of the four feet decorated with a green cabochon
Signed Flamand
29 cm.
FRANCOIS MARIUS VALERE-BERNARD – “LA VIGNE”, 1896
“LA VIGNE”, 1896
Oil on canvas
Signed
92 x 73 cm.
Bibliography
Jean-Roger Soubiran, Valère Bernard, édition Jeanne Laffitte, 1988, ill. p. 136, n. 115
GEORGES CLAIRIN – “FETE FLEURIE”, CIRCA 1900
“FETE FLEURIE”, CIRCA 1900
Gouache and watercolor
41 x 29 cm.
COLIN & CIE – LOUIS CHALON – “WOMAN WITH A TORCH” TABLE LAMP, CIRCA 1900
“WOMAN WITH A TORCH” TABLE LAMP, CIRCA 1900
Gilt bronze, original frosted glass shade
The base in marble
Signed and with foundry mark
56 cm. high
FRANCOIS-RUPERT CARABIN – “DANCER WITH SNAKES”, 1905-1906
“DANCER WITH SNAKES”, 1905-1906
Patinated bronze
Signed, dédicated St Edmond / Le Personnel de la Maison / Laussedat / à leur patron and dated 1906
23.3 cm. high
Another example is part of the collection of the Musée de l’Ancienne Douane, Strasbourg and another
one is part of the Silverman Collection, New York
Exhibition
Société Nationale des Beaux-Arts, Paris, 1906
Musée Galliera, Exposition Carabin, 1934-1935
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1906
La Revue Théâtrale, April 1906, ill. p. 1452
Catalogue de l’exposition Carabin, Galliera Museum 1934-1935
L’œuvre de Rupert Carabin, Galerie du Luxembourg, 1974, ill. p. 192, n.104
ERNEST LEVEILLE – BAMBOO VASE, CIRCA 1895
BAMBOO VASE, CIRCA 1895
Molded and crackled glass internally decorated with gold flecks;
an applied decoration of tears and an inclusion of gold foil at the base
19.5 cm.
GEORGES DE FEURE – GDA LIMOGES – VASE, CIRCA 1900
VASE, CIRCA 1900
White porcelain, decorated with two white and grey flying swans on a
blue and grey background
32 cm. high
A similar example of this design is part of the collections of the Metropolitan Museum of Art,
New York, inv. n. 26.228.9
GUSTAV ADOLF MOSSA – “SUZANNE ET LES VIEILLARDS” TRIPTYCH, 1906
“SUZANNE ET LES VIEILLARDS” TRIPTYCH, 1906
Watercolor, ink, gouache and pencil on paper
Signed, inscribed and dated lower center: GUSTAV ADOLF MOSSA NICIENSIS PINXIT MCMVI and titled below the central panel SUZANNE ET LES VIEILLARDS
36.7 x 56 cm.
Exhibition
Exposition d’œuvres d’Alexis et de Gustav Adolf Mossa, L’Artistique, Nice, 1909, n. 92
Exposition d’œuvres de G.A. Mossa, Galerie George Petit, Paris, 1911, n. 21
Gustave-Adolphe Mossa. Niciensis Pinxit, Musée des Beaux-Arts Jules Chéret, France, 29 January – 15 May 2022
Bibliography
Un Domino, Le Gaulois, Echos de partout, 5 April 1911
Léon Riotor, Le Radical, Echos, 11 April 1911
Gustav Adolf Mossa, catalogue raisonné des œuvres “symbolistes”, Somogy éditions d’art, 2010, n. A154, ill. p. 221
GEORGES CLAIRIN – PORTRAIT OF SARAH BERNHARDT AT BELLE-ILE-SUR-MER, CIRCA 1900
PORTRAIT OF SARAH BERNHARDT AT BELLE-ILE-SUR-MER, CIRCA 1900
Watercolor and gouache on paper
Signed
36 x 22 cm.
PAUL FOLLOT – LA MAISON MODERNE – TABLE LAMP, CIRCA 1900
TABLE LAMP, CIRCA 1900
Silvered bronze with original patina, with a stylized vegetal decor
Signed on the foot
60 cm. high
MANUFACTURE NATIONALE DE SEVRES – A PAIR OF VASES, CIRCA 1900
A PAIR OF VASES, CIRCA 1900
Porcelain decorated with flowers and leaves; the chased mount in patinated wrought-iron
Marked with the manufacturer’s stamp and respectively numbered S97 and S98
24 cm. high
EDMOND HENRI BECKER – SUSSE FRERES – “FRAISIA” BOX, CIRCA 1905
“FRAISIA” BOX, CIRCA 1905
Patinated gilt bronze
Signed Becker and Susse Frs Edt Paris
7.5 cm. high
20 cm. wide
11 cm. deep
Bibliography
Illustrated in the catalogue of Susse Frères, p. 17, n. 162
ETIENNE DINET – RENE KIEFFER – “LE PRINTEMPS DES COEURS”
“LE PRINTEMPS DES COEURS”
Paris, Piazza, 1902. 1 volume in 8°
60 compositions en couleurs et or d'Etienne Dinet, dont six hors texte. Légendes sahariennes recueillies par Sliman Ben Ibrahim BAAMER, traduites et illustrées par Etienne Dinet, exemplaire n° 287/300 sur papier vélin à la cuve des manufactures Blanchet et Kléber. Couverture et dos conservés. Reliure de René Kieffer. Maroquin havane, plats ornés, femme saharienne et palmiers sur le premier plat, porte et feuillages sur le 2ème plat. Décor mos. ovales sur les contre-plats sertis à froid, encadrements de filets d'or, gardes de soie, décor floral, tête dorée, étui à bandes de maroquin havane.
Catherine Lacaille, lyonnaise, a beaucoup travaillé sur des cuirs et sur des cuivres. Ele produit en outre des émaux de qualité dont un des plus beaux est : “M. Rollet dans sa bibliothèque”.
FRANCOIS-EUGENE ROUSSEAU – VASE, CIRCA 1900
VASE, CIRCA 1884-1900
Internally decorated thick glass, decorated with engraved fishes and algae
11 cm. high
Another example of this design is part of the Gerda Koepff Collection, with a label of Léveillé-Rousseau under the base
Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-24 November 2019, ill. p. 14
GASTON BUSSIERE – “BRUNNHILD”, CIRCA 1900
“BRUNNHILD”, CIRCA 1900
Watercolor
Signed
28 x 20 cm.
LUCIEN LEVY-DHURMER – “LA PRIERE AU CREPUSCULE”, CIRCA 1890
“LA PRIERE AU CREPUSCULE”, CIRCA 1890
In tribute to Jean-François Millet
Pastel on paper
Signed lower right
77 x 56
With the frame: 114 x 96 cm.