ROYAL COPENHAGEN – ARNOLD KROG – VASE, CIRCA 1900-1901
VASE, 1900-1901
Model of 1898-1899, executed in 1900-1901
Openwork porcelain with a design of white poppies
Signed
13.7 cm. high
Showing 385–408 of 600 results
ROYAL COPENHAGEN – CHRISTIAN THOMSEN – “SNAKES” VASE, CIRCA 1900
“SNAKES” VASE, CIRCA 1900
Openwork enamelled porcelain; three snakes forming the handles
Signed, numbered 298/176 and 60
14.5 cm. high
LOUIS MAJORELLE – “AUX FOUGERES” AND “AUX ESCARGOTS” SALON, CIRCA 1900
“AUX FOUGERES” AND “AUX ESCARGOTS” SALON, CIRCA 1900
Mahogany, comprising :
A sofa, two armchairs and two chairs
Armchairs: 116 cm. high – seating area: 77 cm. large x 80 cm. deep
Chairs: 101 cm. high – seating area: 46 x 46 cm.
Sofa: 135 cm. large x 74 cm. deep
EDGAR WILLIAM BRANDT – “ALGUES” LETTER OPENER, CIRCA 1909
“ALGUES” LETTER OPENER, CIRCA 1909
Bronze and wrought copper
Signed
27 cm. long
Bibliography
L’Art Décoratif aux Expositions des Beaux-Arts, 1909, ill. pl. 26 for a similar design
EDGAR WILLIAM BRANDT – ANDO JUBEI – VASE, CIRCA 1904
VASE, CIRCA 1904
Copper decorated with white and yellow cloisonné enamelled daisies on a green background
Silver mount by Edgar Brandt
Bearing the monogram of Ando Jubei
13 cm. high
Jubei’s cloisonné enamels are in the collections of the Victoria and Albert and the Walters Art museums
Bibliography
Robert de Souza, Oeuvres diverses d’Edgar Brandt, L’Art Décoratif, 1904, vol. II, p. 145 for a similar design
ANDRE-FERNAND THESMAR – “FEMME ASSISE”, CIRCA 1900
“FEMME ASSISE”, CIRCA 1900
Plaque in translucent enamels on a gold leaf background
11 x 7 cm.
THEOPHILE ALEXANDRE STEINLEN – “LES TROIS CHATS”, 1915
“LES TROIS CHATS”, 1915
Charcoal, black pencil, watercolor
ALEXANDRE CHARPENTIER – GERARD ROGER SANDOZ – PITCHER, CIRCA 1892
PITCHER, CIRCA 1892
Bronze with a brown patina
Signed and marked “G. Roger Sandoz éditeur”
22.5 cm. high
ALEXANDRE BIGOT – ALOIS REINITZER – “LA DANSEUSE LOIE FULLER” VASE, 1900
“LA DANSEUSE LOIE FULLER” VASE, 1900
Grès
Signed by both artists
25 cm. high
This vase was probably exhibited at the Exposition Universelle and a la Société des Artistes Français, 1900
Biliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma éditions, 2015, ill. p. 319
EDGAR WILLIAM BRANDT – ATELIER DE GLATIGNY – VASE, CIRCA 1910
VASE, CIRCA 1910
Grès. Grey green dripping on a beige background. The red copper mount is hammered and hand tooled
Impressed signature and bearing the Brandt seal
32 cm. high
FALIZE FRERES – SET OF 6 SPOONS, CIRCA 1900
SET OF 6 SPOONS, CIRCA 1900
Vermeil with a floral design
In its fitted box
13.5 cm. long
J. TOSTRUP (Attributed to), SET OF 6 SPOONS, CIRCA 1900
SET OF 6 SPOONS, CIRCA 1900
Vermeil with plique-à-jour enamels. Blue enamelled spiral
Two spoons bearing a mark with three crowns
With silver mark
Weight: 104 g.
In its fitted case of the jeweller P. A. LIE, Christiania
Christiania became Oslo in 1906
ROYAL COPENHAGEN – PLANTER, 1896
PLANTER, 1896
Signed
26.7 cm. high
26 cm. diameter
ANDRE METTHEY – VASE, CIRCA 1900
VASE, CIRCA 1900
Grès with grey and blue glaze with a design of a woman
Signed
22 cm. high
FRENCH – PAIR OF BALUSTER VASES, CIRCA 1870
PAIR OF BALUSTER VASES, CIRCA 1870
Porcelain green celadon with crackled background. The neck is decorated with two small handles
The mount in gilt bronze with a design of garland wreath; bronze base
Bearing the original label: Maison Alph. GIROUX, F. DUVINAGE et A. HARINKOUK Fournisseur de LL MM l'Empereur et l'Impératrice…
70 cm. high
28 cm. wide
24 cm. deep
AGATHON LEONARD – “LE SOMMEIL DE LA VIERGE”, 1901
“LE SOMMEIL DE LA VIERGE”, 1901
Patinated terracotta
Titled on the base and signed
Exhibition
Société Nationale des Beaux-Arts, 1901 (for the model in marble)
ALEXANDRE CHARPENTIER – LA MAISON MODERNE – “ZELANDAISE” TABLE BELL, CIRCA 1900
“ZELANDAISE” TABLE BELL, CIRCA 1900
Gilt bronze
Signed
16.3 cm. high
Exhibition
Salon de la libre esthétique, Bruxelles, 1897
Bibliography
Documents sur l’Art Industriel au XXe siècle, Edition de la Maison Moderne, Paris, n.d. , p. 15, n.647-1
ALPHONSE GERMAIN-THILL – “YOUNG BEAUTY WEARING ART NOUVEAU JEWELS”, 1904
“YOUNG BEAUTY WEARING ART NOUVEAU JEWELS”, 1904
Oil on board lined with canvas
Signed lower left and dated (19)04
50 x 36 cm.
KELLER & GUERIN – WALL PLATE, CIRCA 1900
WALL PLATE, CIRCA 1900
Aquatic design with a decor of algae and crab. In the center, a woman’s head wearing a helmet in the shape of a shell
The glaze is slightly glossed in purple and green and partially gilded
Signed KG
37 cm. diameter
PIERRE-ADRIEN DALPAYRAT – “GUENON”, CIRCA 1900
“GUENON”, CIRCA 1900
Grès with a green and white glaze
17.5 cm. high
18.5 cm wide
ALEXIS BOISSONNET – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Grès
Signed
22.5 cm. high
GEORGES ROCHEGROSSE – “LA MORT”, BEFORE 1910
“LA MORT”, BEFORE 1910
Watercolour
This is the watercolour that was used to illustrate Charles Baudelaire’s famous book Les Fleurs du Mal, engraved by Eugène Decisy and titled La Mort
ERNEST BUSSIERE – KELLER & GUERIN – “MARRON” JUG, 1903
“MARRON” JUG, 1903
Earthenware decorated with low-fired iridescent glaze heightened in gold
Signed KG / Lunéville / Bussière
14 cm. high
A similar example is to be found at the Musée de l’Ecole de Nancy, inv. Corbin
Exhibition
Exposition de l’Ecole de Nancy, Musée des Arts Décoratifs, Paris, 1903
Bibliography
Céramiques végétales / Ernest Bussière et l’art nouveau, Musée de l’Ecole de Nancy, 21 June-25 September 2000, n. 35 ill p. 41
ALPHONSE DEBAIN – PAIR OF CUPS AND SAUCERS, CIRCA 1900
PAIR OF CUPS AND SAUCERS, CIRCA 1900
Silver
With maker’s mark and French Minerva mark
The cup: 6 cm. high
The saucer: 16.5 cm. diameter