LEO-VICTOR GARDEY – RING HOLDER, CIRCA 1900
Silver, decorated with sunflowers highlighted with gold
Signed
Showing 265–288 of 410 results
LEON NOEL DELAGRANGE – A SYMBOLIST SCULPTURE, CIRCA 1900
Bronze with a black patina on its original base in carved wood
Signed
LEONARD SARLUIS – A SYMBOLIST PORTRAIT, 1910
A SYMBOLIST PORTRAIT, 1910
Mixed media on paper
Signed and dated 1910 lower left
47 x 30 cm.
LOETZ – “GOOSE NECK” VASE”, CIRCA 1900
Iridescent glass
Signed
LOETZ – ALPHONSE DEBAIN, SILVERSMITH – ESCALIER DE CRISTAL – BOWL, CIRCA 1900
BOWL, CIRCA 1900
Iridescent glass; the silver mount by Alphonse Debain
The base signed Escalier De crystal and bearing the French Minerva mark and silversmith mark
11.5 cm. high
11 cm. diameter
LOUIS CHALON – MAISON PAUL LOUCHET – PAIR OF CANDLESTICKS “LE SOMMEIL ET L’EVEIL”, CIRCA 1900
PAIR OF CANDLESTICKS “LE SOMMEIL ET L’EVEIL”, CIRCA 1900
Bronze with two patinas
Signed and marked Louchet
11.5 cm. high
9.5 cm. high
LOUIS CHALON – THE POET AND HIS MUSE, CIRCA 1900
Oil on panel
Presumed portrait of Edmond Rostand
Signed
LOUIS DEJEAN – “LA FIANCEE”, 1901
“LA FIANCEE”, 1901
White marble
Signed on the base
35 x 20 x 22 cm.
LOUIS DEJEAN – ADRIEN-AURELIEN HEBRARD – “LA DAME AU GRAND MANTEAU”
“LA DAME AU GRAND MANTEAU”
Bronze with a dark brown patina, cast after 1905
Signed, marked (M), and with foundry mark;
bearing an exhibition label at the Musée des
Arts Décoratifs, Paris,
marked 1933 and M. Hébrard; an inventory label marked 2487; and another label marked Douane Centrale / Paris
37.5 cm. high
Another example commissioned by the French State in 1904 for the Musée du Luxembourg belongs to the Musée d’Orsay, Paris, inv. LUX 214
Exhibition
Salon National des Beaux-Arts, Paris, 1904, 1899 for an example in terracotta
Exposition de la statuette, Musée Galliéra, Paris, 1914, n. 152 of the exhibition catalogue
Roger Marx, un critique aux côtés de Gallé, Monet, Rodin, Gauguin…, Nancy, Musée des Beaux-Arts
Musée de l’Ecole de Nancy, 6 May – 28 August 2006, ill. p. 237, n. 176 in the exhibition catalogue
Bibliography
L’Art Décoratif, June 1904, an example in plaster ill. p. 230
LOUIS HESTAUX – CARVED WOODEN TRAY, CIRCA 1900
CARVED WOODEN TRAY, CIRCA 1900
Representing a lyre player and a singer or a
poetess on a crescent moon and an undergrowth background
The back is carved with a decor of bird and branches
Bears an old label and numbered 18, signed lower left L. Hestaux
33 x 16.5 x 2 cm.
Acquired directly from the family in May 2008
LOUIS MAJORELLE – “AUX ORCHIDEES” DESK, CIRCA 1903-1905
“AUX ORCHIDEES” DESK, CIRCA 1903-1905
Mahogany, gilt and chased bronze
95 x 151 x 70 cm.
LOUIS MAJORELLE – “LES BUTOMACEES”, CIRCA 1900
“LES BUTOMACEES”, CIRCA 1900
Carved and inlaid mahogany, with bronze handles
89 x 81 x 60 cm.
Another example of this design is part of the collection of the Yamazaki Mazak Museum of Art, Japon, inv. n. ANF-663701
Exhibition
Exposition Universelle, Paris, 1900
Exposition de l’Ecole de Nancy au musée des Arts Décoratifs, Paris, 1903
LOUIS MAJORELLE – “POINCARE” FLOOR LAMP, VERY RARE, CIRCA 1900
“POINCARE” FLOOR LAMP, VERY RARE, CIRCA 1900
Patinated wrought-iron, the shade in alabaster
197 cm. high
Bibliography
Alastair Duncan, Majorelle, Flammarion, 1991, ill. n. 114
LOUIS MAJORELLE – DAUM NANCY – “CHARDONS DEUX LUMIERES” TABLE LAMP, CIRCA 1900
“CHARDONS DEUX LUMIERES” TABLE LAMP, CIRCA 1900
Patinated wrought-iron and etched glass shades by Daum
Signed
54 cm. high
Only a handfull of known examples to exist
LOUIS MAJORELLE – DAUM NANCY – CEILING LIGHT, CIRCA 1900
CEILING LIGHT, CIRCA 1900
Wrought iron and glass white shades with strips in relief, the mount by Louis Majorelle
Acquired directly at the crystal Daum factory around 1992
Signed
20.5 cm. high
14.3 cm. diameter
LOUIS MAJORELLE – DAUM NANCY – TABLE LAMP, CIRCA 1910
TABLE LAMP, CIRCA 1910
Wrought iron base and mottled glass shade
the inner part acid etched with a fern motif
70 cm. high
LOUIS MAJORELLE – GUERIDON, CIRCA 1900
GUERIDON, CIRCA 1900
Walnut, decorated with inlaid water leaves patterns
Inlaid signature L. Majorelle
77 cm. high
77 cm. diameter
LOUIS MAJORELLE – KELLER & GUERIN – ERNEST BUSSIERE -PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Glazed stoneware, stylized vegetal decoration in relief
Signed K.G. Lunéville Bussière
28.5 cm. high
Another example of this model is part of the Collections of the museum of Lunéville, inv. n. C337
Exhibition
Céramiques végétales – Ernest Bussière et l’Art Nouveau, musée de l’Ecole de Nancy,
21 June-25 September 2000, ill. p. 43, n. 40 in the catalogue
Bibliography
Buffet-Challié, Laurence, Le Modern Style, Baschet et Cie Editeurs, ill. p. 112, n. 1
Roselyne Bouvier, Majorelle, Editions Serpenoise, La Bibliothèque des Arts, 2009, ill. p. 32
Paul Arthur, French Art Nouveau Ceramics / An Illustrated Dictionary, éditions Norma, 2015, ill. p. 83
LOUIS MAJORELLE – SALON “AUX FOUGERES”, CIRCA 1906
SALON “AUX FOUGERES”, CIRCA 1906
Carved gilt wood, re-upholstered, comprising:
A sofa, two chairs and two armchairs
The sofa: 109 cm. high | 139 cm. wide
Each armchair: 105 cm. high | 70 cm. wide
Each chair: 101 cm. high | 48 cm. wide
LOUIS MAJORELLE – VITRINE, CIRCA 1900
Marquetry
Bibliography
Alastair Duncan, Majorelle, Flammarion, 1991, ill. p. 61, fig. 23
LOUIS MAJORELLE – WALL PLANTER, CIRCA 1878
WALL PLANTER, CIRCA 1878
Earthenware, japanese decor in semi-relief of a bird fisching a carp
Made in the Toul workshop
Signed
34 cm. diameter
LOUIS MATHEY – BAG CLASP AND CHAIN, 1913
BAG CLASP AND CHAIN, 1913
Chased silver; patinated and applied with a décor of leaves
Signed Louis Mathey, with silversmith mark LM (cat)
Exhibition
Salon de la Société des artistes français, Paris 1913
Bibliography
The Paris Salons, 1895-1914, Jewelry, vol. II, p. 107
LOUIS WELDEN HAWKINS – “PORTRAIT OF A MODERN WOMAN”, CIRCA 1900
Oil on canvas
Original carved wood frame
LOUIS ZORRA – BROOCH
Gold, pearls and chalceldony
Signed, with silversmith’s mark
Several jewels designed by Zorra are part of the collections of the Museum für Kunst und Gewerbe in Hamburg
Bibliography:
The Belle Epoque of French Jewellery 1850-1910, London 1990, p. 206