ERNEST-EMILE CHAPLET – VASE, CIRCA 1895
VASE, CIRCA 1895
Grès with a sang-de-boeuf and celadon glaze
Signed, bearing a label of la maison Rouard
6 cm. high
10 cm. wide
Showing 481–504 of 609 results
LEO-VICTOR GARDEY – RING HOLDER, CIRCA 1900
RING HOLDER, CIRCA 1900
Silver, decorated with sunflowers highlighted with gold
Signed
10 cm. high
PAUL GRANDHOMME – ALFRED GARNIER – “KNEELING KING OFFERING HIS CROWN TO A YOUNG WOMAN”, CIRCA 1900
“KNEELING KING OFFERING HIS CROWN TO A YOUNG WOMAN”, CIRCA 1900
Polychrome enamel on copper
Signed lower right Grandhomme Garnier
15 x 12 cm.
PAUL GRANDHOMME – ALFRED GARNIER – GUSTAVE MOREAU – “WOMAN IN LANDSCAPE AT SUNSET”, CIRCA 1889
“WOMAN IN LANDSCAPE AT SUNSET”, CIRCA 1889
Enamel on copper, after a design by Gustave Moreau
Signed lower left Garnier Grandhomme inv.
and marked on the reverse Grandhomme Garnier / Emailleurs / 1889 / Paris
8 x 12.5 cm.
Bibliography
Taxile Doat, Causerie d'un émailleur, Revue des Arts Décoratifs, 1891, ill. p. 78
TONY SELMERSHEIM – CHARLES PLUMET – DESK, CIRCA 1900
DESK, CIRCA 1900
Sculpted pear wood and gilt bronze
131 x 161 x 88 cm.
Exhibition
Société Nationale des Beaux-Arts, 1897 for a variation of this design
Bibliography
Art et Décoration, April1897, the model without the side elements ill. p. 107
Der Modern Stil, Julius Hoffmann éditeur, 1899,
vol. I, ill. pl. 64, for the one exhibited at the Société Nationale des Beaux-Arts
Der Moderne Stil, 1903, ill. pl. 82
ERNEST BUSSIERE – KELLER & GUERIN – “ORCHIDEES”, CIRCA 1900
“ORCHIDEES”, CIRCA 1900
Earthenware vase decorated with low-fired iridescent glaze
Signed underneath KG/Lunéville/Bussière
Bibliography
L’Estampille L’Objet d’Art, n. 349, Ernest Bussière, la redécouverte d’un céramiste Art nouveau, p. 26 to p. 29
Exhibition
Exposition de l’alliance provinciale des industries et d’art de l’école de Nancy, Pavillon de Marsan, Paris, 1903
Céramiques végétales – Ernest Bussière et l’art nouveau, musée de l’école de Nancy, 2000, ill. p. 49, n. 27
Die Jugend Der Moderne, Villa Stuck, Munich, 28 October 2010 – 23 January 2011, ill. p. 105, n. 88
MANUFACTURE NATIONALE DE SEVRES – LEON KANN – A GOURD-SHAPED EWER, DESIGNED 1889
A GOURD-SHAPED EWER, DESIGNED 1889
Glazed Sèvres porcelain
Marked with Sèvres Manufacturer’s triangular stamp and dated 1904
15 cm. high
GEORGES DE FEURE – GDA LIMOGES – “ELEGANT SCULPTURE”, CIRCA 1900
“ELEGANT SCULPTURE”, CIRCA 1900
Enamelled porcelain
With maker’s marks
27 cm. high
JULES DESBOIS – ADRIEN-AURELIEN HEBRARD – “LA VIGNE”, CIRCA 1900
“LA VIGNE”, CIRCA 1900
Bronze with brown patina; the base in marble
Signed, with foundry mark and numbered 13
18 cm. high
With the base: 20.5 cm. high
The base: 8 x 8 x 2.4 cm.
Bibliography
Raymond Huard, Jules Desbois, ill. p. 65
AUGUSTE DELAHERCHE – A PAIR OF VASES, “MALE ET FEMELLE”, CIRCA 1900
A PAIR OF VASES, “MALE ET FEMELLE”, CIRCA 1900
Grès
Signed
20.3 high
12.3 cm. high
FELIX MASSOUL – VASE, CIRCA 1905
VASE, CIRCA 1905
Grès
Signed
18.3 cm. high
FELIX MASSOUL – VASE, CIRCA 1905
VASE, CIRCA 1905
Grès
Signed
18.5 cm. high
FELIX MASSOUL – VASE, CIRCA 1905
VASE, CIRCA 1905
Grès
Signed
20 cm. high
FRANCOIS-RUPERT CARABIN – CANDY BOX, 1894-1895
CANDY BOX, 1894-1895
Enameled earthenware in tones of brown, green and red
Bearing the monogram C.F.R. and numbered 7
15 x 20 cm.
Exhibition
Société Nationale des Beaux-Arts, 1897
Galerie Laffite 1894-1895, Paris
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
Galerie du Luxembourg, L’Oeuvre de Rupert Carabin, exhibition catalogue, 1974, p. 231, n. 190
Breaking the Mold – Sculpture in Paris from Daumier to Rodin, Jane Voorhees Zimmerli Art Museum, Rutgers,
The State University of New Jersey, October 23, 2005-March 12, 2006, ill. p. 107, n. 248
LUCIEN BONVALLET – ANTOINE-ERNEST CARDEILHAC – CHOCOLATE JUG, CIRCA 1900
CHOCOLATE JUG, CIRCA 1900
Silver, vermeil, green stained ivory
The handle in stained ivory
Signed
21 cm. high
Between 1894 and 1899, Lucien Bonvallet designed several silverware pieces intended
for the Exposition Universelle of 1900, all decorated with a vegetal pattern such as thistles,
columbines, mistletoe, clovers, etc.
These models were exhibited on the occasion of a retrospective dedicated to Lucien Bonvallet
in January and February 1913, at the Pavillon de Marsan, Musée des Arts Décoratifs, Paris
Bibliography
Art et Décoration, December 1900, p. 163: illustration of a chocolate jug with a different design
L’Art français moderne, January 1916, p. 30
Maurice Rheims, L’Objet 1900, Arts et métiers graphiques, Paris, 1964, identical model decorated with clovers,
red stained ivory, ill. p. 96 , ill. n° 58
Tony Bouilhet, L’Orfèvrerie française au XXème siècle, Émile-Paul frères edition, Paris, (thistles model)
Annelies Krekel-Aalberse, Argenterie Art Nouveau et Art Déco, les éditions de l’amateur, Paris, 1990, ill. p. 79, n. 55 (thistles model)
EDGAR BRANDT – LETTER OPENER, CIRCA 1904
LETTER OPENER, CIRCA 1904
Chased silver
Signed
21.6 cm. long
Bibliography
Similar model illustrated:
L’Art Décoratif, 1904, vol. XII, p. 150
La Décoration Moderne, 13ème année, 1905-1906, pl. 2
Documents de Décoration Moderne – Ferronnerie, pl. 30
MAURICE BOUVAL – COLIN & CIE – SEAL, 1904
SEAL, 1904
Patinated gilt bronze
Signed, bearing the foundry mark
The base in onyx
13.5 cm. high
Exhibition
Société des Artistes Français, 1904
Bibliography
L’Art Décoratif aux Expositions des Beaux-Arts, Armand Guérinet éditeur, 1904, ill. pl. 184-185
GUSTAVE-ROGER SANDOZ – UMBRELLA HANDLE, CIRCA 1900
UMBRELLA HANDLE, CIRCA 1900
Chased silver gilt
Signed G.R. SANDOZ (PARIS), bearing the maker’s mark
In its original box
10 cm. long
ALEXANDRE BIGOT – ALOIS REINITZER – VASE “ LA DANSEUSE LOIE FULLER”, 1900
VASE “LA DANSEUSE LOIE FULLER”, 1900
Grès with a polychrome glaze
Signed by both artists
25 cm. high
This vase was most probably displayed at the Exposition Universelle and the Société des Artistes Français in 1900
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill p. 319
LOUIS MAJORELLE – SALON “AUX FOUGERES”, CIRCA 1906
SALON “AUX FOUGERES”, CIRCA 1906
Carved gilt wood, re-upholstered, comprising:
A sofa, two chairs and two armchairs
The sofa: 109 cm. high | 139 cm. wide
Each armchair: 105 cm. high | 70 cm. wide
Each chair: 101 cm. high | 48 cm. wide
EDWARD COLONNA – GDA LIMOGES – ART NOUVEAU BING – VASE, CIRCA 1900
VASE, CIRCA 1900
Polychrome porcelain
Stamped ANB
12 cm. high
Bibliography
Edith Mannoni, Porcelaine de Limoges, Massin éditeur, ill. p. 94
GEORGES DE FEURE – WALKING STICKS, CIRCA 1900
WALKING STICKS, CIRCA 1900
Silver walking stick designed as a vegetal motif
Signed
11 x 11 cm.
Silvered bronze walking stick shaped as a saurian reptile
Signed
12 x 9 cm.
Exhibition
Société nationale des Beaux-Arts, 1903
Bibliography
L’Art décoratif aux Expositions des Beaux-Arts, 1903, Librairie d’Art décoratif, Armand Guérinet, éditor pl. 8 and 9
Art et Décoration, 1903, ill. p.192
EDWARD COLONNA – ART NOUVEAU BING – VASE, CIRCA 1900
VASE, CIRCA 1900
Porcelain with a stylized floral decor
Stamped with the Art Nouveau Bing’s mark
8.5 cm. high
EDWARD COLONNA – GDA LIMOGES – CHRYSANTHEMUMS VASE, CIRCA 1900
CHRYSANTHEMUMS VASE, CIRCA 1900
White porcelain
30 cm. high
Exhibition
Art Nouveau Belgium, France, Institute for the
Arts, Rice University and the Art Institute of Chicago, 1976, p. 176 n. 242 in the exhibition catalogue
Bibliography
Edith Mannoni, Porcelaines de Limoges, Massin éditeur, n.d., ill. p. 92