MANUFACTURE NATIONALE DE SEVRES – VASE, “ARTICHAUT”, CIRCA 1900
VASE, “ARTICHAUT”, CIRCA 1900
White and brown porcelain highlighted with gold
Signed, with maker's mark
10 cm. high
Showing 313–336 of 419 results
PIEL FRERES – GABRIEL STALIN – “LES HEURES DE LA VIE” BELT, 1900
“LES HEURES DE LA VIE” BELT, 1900
Silvered bronze
88 cm. long
Exhibition
Exposition Universelle, Paris 1900, group XV, class 25
1900, Galeries nationales du Grand Palais, Paris, 14 March-26 June 2000, ill. p. 258, n. 264
Bibliography
La Bijouterie à l’Exposition de 1900, Revue de la Bijouterie, de la Joaillerie et de l’Orfèvrerie,
June 1901, ill. p. 67
MAURICE DUFRENE – SAINT-YVES EMILE – LA MAISON MODERNE – CHATELAINE, CIRCA 1900
CHATELAINE, CIRCA 1900
Silver
Comprising: A pills box, a flask salt, a mirror,
a bodkin, a tortoiseshell comb in a silver case
Signed M. Dufrene. With silversmith’s mark
Bibliography
The Paris Salons, 1895-1914, Jewelry, vol. I
EUGENIE O’KIN – CLUTCH BAG, CIRCA 1900
CLUTCH BAG, CIRCA 1900
Silk pouch made of kimono fabric
The clasp in sculpted ivory and marked with
the artist’s monogram
10 x 21 cm.
GEORGES HOENTSCHEL – DRESSING TABLE, CIRCA 1900
DRESSING TABLE, CIRCA 1900
Carved wood with a vegetal decor
146 cm. high
Bibliography
Laurence Buffet-Challié Le Modern Style, Baschet & Cie, éditeurs, n.d., ill. p. 66
VICTOR BARRUCAND – LEHAYE – LEON CARRE – LE CHARIOT DE TERRE CUITE
LE CHARIOT DE TERRE CUITE
Paris, Piazza, 1921. In-4° (300 x 230 mm)
E. TELL – GOLDSCHEIDER – “JUDITH”, CIRCA 1900
“JUDITH”, CIRCA 1900
A carved ivory, pâte-de-verre and enamelled gilt-metal sculpture
The facetted base in marble
Signed E. TELL and numbered 172
With the base: 25 cm. high
Other examples of this model were executed in bronze, bronze and ivory
and terracotta by Goldscheider
The example we are offering, made of precious material, was most probably intended
for art exhibitions; the sculpted ivory part of this piece was most probably executed
by the sculptor himself
FREDERIC BOUCHERON – PAUL LEGRAND – E. QUEILLE – SET OF SIX SPOONS, 1873
SET OF SIX SPOONS, 1873
Silver, niello and vermeil decorated with motifs inspired by the Japanese grammar
Impressed with maker and French Minerva marks; in its original case
12.5 cm. long
The decor designed by Paul Legrand was registered in 1873 as ”Service Japonais”
Exhibition
A group of the ”Service Japonais” was shown at the exhibition dedicated to Boucheron
at the Jacquemard-André museum in 1988, n. 124 in the catalogue
THEODORE DECK- ERNEST CARRIERE – PITCHER, CIRCA 1900
Celadon green and decorated with a frog and a water lily
“Blue Deck”
Signed ERNEST CARRIÈRE and TH DECK
Seal: Two points in a circle separated by a vertical line
Exhibition:
Société Nationale des Beaux-Arts, 1902
Exposition de la porcelaine, son décor, sa monture, musée Galliera, Paris 1907
Bibliography:
L’Illustration, n°3088, 3 may 1902, special number of the exhibition, ill. p. 316
THEODORE DECK – WALL PLATES, CIRCA 1900
WALL PLATES, CIRCA 1900
Enamelled decoration of nasturtiums on a blue background
Signed A. L. Régnier (for Antony Ludovic Régnier) and dated 1.84.
Signed Th. Deck, titled Capucines Sold
Enamelled decoration of a bird, butterflies, flowers on an orange background
Signed Sold
Enamelled decoration of anemones on a green background
Signed
29.5 cm.
FRANCOIS-RUPERT CARABIN – “LOIE FULLER” SCULPTURE, CIRCA 1900
“LOIE FULLER” SCULPTURE, CIRCA 1900
Light brown patinated bronze heightened in red
Signed and numbered E12
23 cm. high
Exhibition
Société Nationale des Beaux-Arts, Paris, 1897, 1899
Salon de la Libre Esthétique, Bruxelles, 1897, cat. n.75 to 80
Austellung der Vereinigung Bildender KÜnstler Österreichs, Vienne, 1898
Exposition Universelle, Paris, 1900, n.90 (cat.)
Le décor de la vie sous la IIIème République, Pavillon de Marsan, 1933, n.847 (cat.)
Musée Galliéra, Rupert Carabin, 1934-1935, n. 49 (cat.)
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 75 & 76 (cat.)
Loïe Fuller : Magicien of light, Virginia Museum, Richmond, 1979, cat. n.11-16, ill. p. 46-47
François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, ill. p. 72 & 73 (cat.), n.30 and 34
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
La Gazette des Beaux-Arts, 1897, p. 247
G. Geffroy, la Vie Artistique 1897, p. 378
Ver Sacrum, n. 56, May-June 1898 and n.9, September 1898
C. Saunier Rupert Carabin, La Revue d’Art, n.11, January 1900, p. 161 to 168
G. Coquiot Biographies Alsaciennes X, François Rupert Carabin, Revue Alsacienne Illustrée, 1901, p. 146
Catalogue de vente Collection A. Alexandre, 1903, n.150 to 156 (Danseuse Serpentine)
G. Coquiot Les figurines de Carabin, l’Art Décoratif, January 1907, p. 25 à 30
Catalogue of the exhibition Le décor de la vie sous la IIIème République de 1870 à 1900, Pavillon de Marsan 1933
Catalogue of the exhibition Carabin au musée Galliéra 1934-1935
Catalogue of the exhibition L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, p. 171 & 172
FRANCOIS-RUPERT CARABIN – “LOIE FULLER” SCULPTURE, CIRCA 1900
“LOIE FULLER” SCULPTURE, CIRCA 1900
Light brown patinated bronze heightened in red
Signed, numbered F8 and bearing the foundry mark FJ
18.5 cm. high
Exhibition
Société Nationale des Beaux-Arts, Paris, 1897 & 1899
Salon de la Libre Esthétique, Bruxelles, 1897, cat. n.75 – 80
Austellung der Vereinigung Bildender KÜnstler Österreichs, Vienne, 1898
Exposition Universelle, Paris, 1900, n. 90 (cat.)
Le décor de la vie sous la IIIème République, Pavillon de Marsan, 1933, n. 847 (cat.)
Musée Galliéra Rupert Carabin, 1934-1935, n. 49 (cat.)
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974, n. 79 (cat.)
Loïe Fuller: Magicien of light, Virginia Museum, Richmond, 1979, cat. n.11-16, ill. p. 46-47
François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, repr. p. 72, 73 (cat.) n. 30, 34
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
La Gazette des Beaux-Arts, 1897, p. 247
G. Geffroy, la Vie Artistique 1897, p. 378
Ver Sacrum, n°56, may-june 1898 et n. 9, september 1898
C. Saunier Rupert Carabin, La Revue d’Art, n°11, january 1900, p. 161 to p. 168
G. Coquiot Biographies Alsaciennes X, François Rupert Carabin, Revue Alsacienne Illustrée, 1901, p. 146
Catalogue de vente Collection A. Alexandre, 1903, n. 150 – 156 (Danseuse Serpentine)
G. Coquiot Les figurines de Carabin, l’Art Décoratif, janvier 1907, p. 25 à 30
Catalog of the exhibition Le décor de la vie sous la IIIème République de 1870 à 1900, Pavillon de Marsan, 1933
Catalog of the exhibition Carabin au musée Galliéra, 1934-1935
Catalog of the exhibition L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, p. 175
FRANCOIS-RUPERT CARABIN – “FEMME PIEUVRE” INKWELL, CIRCA 1900
“FEMME PIEUVRE” INKWELL, CIRCA 1900
Enameled stoneware
Bearing the monogram of the artist, numbered 42
16 cm. high
Exhibition
Société Nationale des Beaux-Arts 1897, Paris
Galerie Laffite, 1894-1895
Les Industries d’Art au Salon de la libre Esthétique, Bruxelles, 1897
L’Oeuvre de Rupert Carabin, Galerie du Luxembourg, Paris, 1974
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1897
FRANCOIS-RUPERT CARABIN – “FEMME A LA COLOQUINTE” INKWELL, CIRCA 1900
“FEMME A LA COLOQUINTE” INKWELL, CIRCA 1900
Enameled green mottled red stoneware; original stopper in cast metal
Signed, numbered 58
14.5 cm. high
PIERRE-ADRIEN DALPAYRAT – VASE, CIRCA 1900
VASE, CIRCA 1900
Grès with a sang-de-bœuf, green, anthracite and
beige glazes
12.5 cm. high
14.5 cm. diameter
LOUIS MAJORELLE – GUERIDON, CIRCA 1900
GUERIDON, CIRCA 1900
Walnut, decorated with inlaid water leaves patterns
Inlaid signature L. Majorelle
77 cm. high
77 cm. diameter
PIERRE-ADRIEN DALPAYRAT – LUCIEN COUDRAY – “VASE AU LIERRE” CIRCA 1904 -1906
“VASE AU LIERRE” CIRCA 1904-1906
Grès overlaid with sang-de-boeuf,
green and blue glaze, decorated with ivy leaves
Stamped Les Grands Feux / Paul Dalpayrat /
L. Coudray
22 cm. high
17.5 cm. diameter
Bibliography
Horst Makus & al., Adrien Dalpayart – Céramique française de l’Art Nouveau, Arnoldsche, 1998,
p. 127, n. 56
PIERRE-ADRIEN DALPAYRAT – ALPHONSE VOISIN-DELACROIX – COLOCYNTH, CIRCA 1900
COLOCYNTH, CIRCA 1900
Grès with yellow, blue, brown glazes
Signed VD
11.5 cm.
Bibliography
Arielle Guillaume Voisin-Delacroix – ou quand un sculpteur rencontre un céramiste, 1993,
similar model ill. p. 69, n. 43
Horst Makus Adrien Dalpayrat – Céramiste de l’Art Nouveau, Arnoldsche, 1998,
similar model ill. p. 114, n°31
PIERRE-ADRIEN DALPAYRAT – MONK MASK, CIRCA 1900
MONK MASK, CIRCA 1900
Grès with green and ochre glazes
Signed
Bearing a label Grès flammé de Dalpayrat – Exposition galerie Georges Petit Décembre 1892
23 cm x 23.5 cm.
Exhibition
Galerie Georges Petit, Paris, December 1892, January 1893
PIERRE-ADRIEN DALPAYRAT – “ATHLETE”, CIRCA 1900
“ATHLETE”, CIRCA 1900
Grès with green and brown glaze
18.5 cm. high
PIERRE-ADRIEN DALPAYRAT – “LEDA AND THE SWAN”, CIRCA 1900
“LEDA AND THE SWAN”, CIRCA 1900
Polychrome enameled stoneware
Signed
23 cm. high
26 cm. long
Exhibition
Sammlung Maria und Hans-Jörgen Heuser, Hamburg
Kunstgewerbemuseums, Köln, 10/4 – 28/7 1974
Kestner-Museum, Hannover, 22/8 – 3/11 1974
Hessischen Landesmuseum, Darmstadt,12/12/74 –
2/2/75 n. 100
Bibliography
Prestel-Verlag München, 1974 Französische Keramik zwischen 1850 und 1910, ill. p. 161, n. 100
The Paris Salons, p. 101
PIERRE-ADRIEN DALPAYRAT – INKWELL “OWL”, CIRCA 1904-1906
INKWELL “OWL”, CIRCA 1904-1906
Grès
Signed Les Grands Feux de Dalpayrat
18 x 15 cm.
Bibiography
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, Norma Editions, 2015, ill. p. 120
PIERRE-ADRIEN DALPAYRAT – JUG, CIRCA 1900
JUG, CIRCA 1900
Grès with a sang-de-boeuf, brown and purple glazes
Signed
14 cm. high
31.5 cm. diameter
LOUIS MAJORELLE – DAUM NANCY – CEILING LIGHT, CIRCA 1900
CEILING LIGHT, CIRCA 1900
Wrought iron and glass white shades with strips in relief, the mount by Louis Majorelle
Acquired directly at the crystal Daum factory around 1992
Signed
20.5 cm. high
14.3 cm. diameter