VASE, CIRCA 1900
White and pink porcelain with stylized vegetal decoration
Marked with the artist’s monogram
29 cm. high
Identical model in the GDA collection in Limoges
Bibliography Edith Mannoni, Porcelaines de Limoges, Massin éditeur, ill. p. 93
Exhibition Georges de Feure – Du symbolisme à l’art nouveau, Musée départemental Maurice Denis, Le Prieuré
11 March-5 June 1995
Fondation Neumann, Gingins, Suisse, 15 June-3 September 1995, n. 122
UMBRELLA STAND “AUX GRENOUILLES”, CIRCA 1900
Carved wood and exotic wood marquetry, decorated with flowers and mushrooms
With its inner case
Signed
70.5 x 46 x 24 cm.
Bibliography Art Nouveau Belgium-France, Institute for the Arts, Rice University, 1976,
p. 224, n. 341
VITRINE, CIRCA 1900
Decorated with marquetry panels and sculptures
of snails, bats, peacock moth and acanthus leaves,
the base entirely sculpted with bats
Signed
191 x 93 x 50 cm.
Another example
The Yamazaki Mazak Museum of Art, Japon, inv. n° ANF-360901
Bibliography
The Yamazaki Mazak Museum of Art, Glass, Ceramic and Furniture, Japon, 2010, ill. p. 114 & 115
Georges de Bartha & al, Gallé furniture, Antique collectors club, 2012, ill. p. 299
”DANTE ET VIRGILE”, 1903
Biscuit
Signed, marked with the manufacturer’s stamp,
stamped A.C (Alphonse Cieutat) and numbered 03.04 (April 1903)
36 cm. high
Bibliography
Colette Dumas, Théodore Rivière, sa vie, son œuvre, n. 78
IMPORTANT CARTEL CLOCK, CIRCA 1900
Gilt and chased bronze; the medallions bearing the names of the four seasons
Signed E. Becker, F. Barbedienne, marked FUGIT IRREPARABILE TEMPUS
90 cm. high
Exhibition
Exposition Universelle, 1900
Bibliography Les Industries d’Art à l’Exposition Universelle de 1900, from Victor Champier, published by la Revue des Arts Décoratifs, Paris 1902
SARAH BERNHARDT IN “GISMONDA”, CIRCA 1900
Carved gilt bronze medallion, light relief
Bearing the monogram of the artist
Based on the etching of Théobald CHARTRAN, engraved by Adolphe LAMOTTE
21.3 x 15.3 cm.
This model was also made as a gilt bronze medal (3.5 x 2.2 cm.) with the following inscription
on the back: Becker according Chartran and FIX. Fix was the name used by the jeweler Savard
“DANCER WITH SNAKES”, 1905-1906
Patinated bronze
Signed, dédicated St Edmond / Le Personnel de la Maison / Laussedat / à leur patron and dated 1906
23.3 cm. high
Another example is part of the collection of the Musée de l’Ancienne Douane, Strasbourg and another
one is part of the Silverman Collection, New York
Exhibition Société Nationale des Beaux-Arts, Paris, 1906
Musée Galliera, Exposition Carabin, 1934-1935
Bibliography Catalogue de la Société Nationale des Beaux-Arts, 1906
La Revue Théâtrale, April 1906, ill. p. 1452
Catalogue de l’exposition Carabin, Galliera Museum 1934-1935 L’œuvre de Rupert Carabin, Galerie du Luxembourg, 1974, ill. p. 192, n.104
BAMBOO VASE, CIRCA 1895
Molded and crackled glass internally decorated with gold flecks;
an applied decoration of tears and an inclusion of gold foil at the base
19.5 cm.
“SUZANNE ET LES VIEILLARDS” TRIPTYCH, 1906
Watercolor, ink, gouache and pencil on paper
Signed, inscribed and dated lower center: GUSTAV ADOLF MOSSA NICIENSIS PINXIT MCMVI and titled below the central panel SUZANNE ET LES VIEILLARDS
36.7 x 56 cm.
Exhibition Exposition d’œuvres d’Alexis et de Gustav Adolf Mossa, L’Artistique, Nice, 1909, n. 92 Exposition d’œuvres de G.A. Mossa, Galerie George Petit, Paris, 1911, n. 21 Gustave-Adolphe Mossa. Niciensis Pinxit, Musée des Beaux-Arts Jules Chéret, France, 29 January – 15 May 2022
Bibliography Un Domino, Le Gaulois, Echos de partout, 5 April 1911
Léon Riotor, Le Radical, Echos, 11 April 1911
Gustav Adolf Mossa, catalogue raisonné des œuvres “symbolistes”, Somogy éditions d’art, 2010, n. A154, ill. p. 221
A PAIR OF VASES, CIRCA 1900
Porcelain decorated with flowers and leaves; the chased mount in patinated wrought-iron
Marked with the manufacturer’s stamp and respectively numbered S97 and S98
24 cm. high
“LE PRINTEMPS DES COEURS”
Paris, Piazza, 1902. 1 volume in 8°
60 compositions en couleurs et or d'Etienne Dinet, dont six hors texte. Légendes sahariennes recueillies par Sliman Ben Ibrahim BAAMER, traduites et illustrées par Etienne Dinet, exemplaire n° 287/300 sur papier vélin à la cuve des manufactures Blanchet et Kléber. Couverture et dos conservés. Reliure de René Kieffer. Maroquin havane, plats ornés, femme saharienne et palmiers sur le premier plat, porte et feuillages sur le 2ème plat. Décor mos. ovales sur les contre-plats sertis à froid, encadrements de filets d'or, gardes de soie, décor floral, tête dorée, étui à bandes de maroquin havane.
Catherine Lacaille, lyonnaise, a beaucoup travaillé sur des cuirs et sur des cuivres. Ele produit en outre des émaux de qualité dont un des plus beaux est : “M. Rollet dans sa bibliothèque”.
Exhibition Autour de Lévy-Dhurmer/ Visionnaires et Intimistes en 1900, Grand Palais, Paris,
3 March – 30 April 1973, similar work, n. 89 in the exhibition catalogue