GEORGES CLAIRIN – “FETE FLEURIE”, CIRCA 1900
“FETE FLEURIE”, CIRCA 1900
Gouache and watercolor
41 x 29 cm.
Showing 625–648 of 659 results
“FETE FLEURIE”, CIRCA 1900
Gouache and watercolor
41 x 29 cm.
“WOMAN WITH A TORCH” TABLE LAMP, CIRCA 1900
Gilt bronze, original frosted glass shade
The base in marble
Signed and with foundry mark
56 cm. high
“DANCER WITH SNAKES”, 1905-1906
Patinated bronze
Signed, dédicated St Edmond / Le Personnel de la Maison / Laussedat / à leur patron and dated 1906
23.3 cm. high
Another example is part of the collection of the Musée de l’Ancienne Douane, Strasbourg and another
one is part of the Silverman Collection, New York
Exhibition
Société Nationale des Beaux-Arts, Paris, 1906
Musée Galliera, Exposition Carabin, 1934-1935
Bibliography
Catalogue de la Société Nationale des Beaux-Arts, 1906
La Revue Théâtrale, April 1906, ill. p. 1452
Catalogue de l’exposition Carabin, Galliera Museum 1934-1935
L’œuvre de Rupert Carabin, Galerie du Luxembourg, 1974, ill. p. 192, n.104
BAMBOO VASE, CIRCA 1895
Molded and crackled glass internally decorated with gold flecks;
an applied decoration of tears and an inclusion of gold foil at the base
19.5 cm.
“SUZANNE ET LES VIEILLARDS” TRIPTYCH, 1906
Watercolor, ink, gouache and pencil on paper
Signed, inscribed and dated lower center: GUSTAV ADOLF MOSSA NICIENSIS PINXIT MCMVI and titled below the central panel SUZANNE ET LES VIEILLARDS
36.7 x 56 cm.
Exhibition
Exposition d’œuvres d’Alexis et de Gustav Adolf Mossa, L’Artistique, Nice, 1909, n. 92
Exposition d’œuvres de G.A. Mossa, Galerie George Petit, Paris, 1911, n. 21
Gustave-Adolphe Mossa. Niciensis Pinxit, Musée des Beaux-Arts Jules Chéret, France, 29 January – 15 May 2022
Bibliography
Un Domino, Le Gaulois, Echos de partout, 5 April 1911
Léon Riotor, Le Radical, Echos, 11 April 1911
Gustav Adolf Mossa, catalogue raisonné des œuvres “symbolistes”, Somogy éditions d’art, 2010, n. A154, ill. p. 221
PORTRAIT OF SARAH BERNHARDT AT BELLE-ILE-SUR-MER, CIRCA 1900
Watercolor and gouache on paper
Signed
36 x 22 cm.
TABLE LAMP, CIRCA 1900
Silvered bronze with original patina, with a stylized vegetal decor
Signed on the foot
60 cm. high
A PAIR OF VASES, CIRCA 1900
Porcelain decorated with flowers and leaves; the chased mount in patinated wrought-iron
Marked with the manufacturer’s stamp and respectively numbered S97 and S98
24 cm. high
“FRAISIA” BOX, CIRCA 1905
Patinated gilt bronze
Signed Becker and Susse Frs Edt Paris
7.5 cm. high
20 cm. wide
11 cm. deep
Bibliography
Illustrated in the catalogue of Susse Frères, p. 17, n. 162
“LE PRINTEMPS DES COEURS”
Paris, Piazza, 1902. 1 volume in 8°
60 compositions en couleurs et or d'Etienne Dinet, dont six hors texte. Légendes sahariennes recueillies par Sliman Ben Ibrahim BAAMER, traduites et illustrées par Etienne Dinet, exemplaire n° 287/300 sur papier vélin à la cuve des manufactures Blanchet et Kléber. Couverture et dos conservés. Reliure de René Kieffer. Maroquin havane, plats ornés, femme saharienne et palmiers sur le premier plat, porte et feuillages sur le 2ème plat. Décor mos. ovales sur les contre-plats sertis à froid, encadrements de filets d'or, gardes de soie, décor floral, tête dorée, étui à bandes de maroquin havane.
Catherine Lacaille, lyonnaise, a beaucoup travaillé sur des cuirs et sur des cuivres. Ele produit en outre des émaux de qualité dont un des plus beaux est : “M. Rollet dans sa bibliothèque”.
VASE, CIRCA 1884-1900
Internally decorated thick glass, decorated with engraved fishes and algae
11 cm. high
Another example of this design is part of the Gerda Koepff Collection, with a label of Léveillé-Rousseau under the base
Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-24 November 2019, ill. p. 14
“BRUNNHILD”, CIRCA 1900
Watercolor
Signed
28 x 20 cm.
“LA MOISSON”
Pastel on paper
Signed lower right
77 x 56 cm.
With the frame: 114 x 96 cm.
Exhibition
Autour de Lévy-Dhurmer/ Visionnaires et Intimistes en 1900, Grand Palais, Paris,
3 March – 30 April 1973, similar work, n. 89 in the exhibition catalogue
“LEZARD” VIDE-POCHE, CIRCA 1900
Porcelain
Bearing the manufacturer’s seal and numbered 1100 and 158
20 cm. diameter
“LA VAGUE” JARDINIERE, CIRCA 1900
Glazed stoneware
Signed by both artists
17 x 28 cm. high
Bibliography
Jacques G. Peiffer, Les Frères Mougin, Sorciers du grand feu, Grès et porcelaine 1898-1950, éditions Fatton, 2001, ill. p. 152
MILK JUG, CIRCA 1900
Grès
Signed Mougin Frs, bearing the monogram AF and numbered
12 cm. high
Bibliography
Francine Bertrand, Joseph et Pierre Mougin poètes du feu, 2000, ill. p. 13
NAIADE
Gouache
Signed
88 x 98 cm.
Provenance
The artist’s estate
GUERIDON, CIRCA 1900
Walnut, the top inlaid
Signed
73 cm. high
TABLE LAMP, CIRCA 1900
Silvered patinated bronze
62 cm. high
32 cm. diameter
VASE, CIRCA 1903-1905
Shape as an eggplant, rouge-sang-de-boeuf
Bearing the artist monogram, with trefoil, and numbered 03.12
23 cm. high
Bibliography
Le Style Moderne. L’ART APPLIQUÉ Revue Internationale, 1904-1905, H. Laurens Editeur, Paris. ill. pl. 35
VASE, 1897
Superb polychrome enameled porcelain vase decorated with flowers, foliage, a butterfly
and an insect highlighted in gold
Signed underneath with the initials SHG, dated 1897 et bearing the letters CN (for Camille Naudot)
incised in the paste
17.5 cm. high
Sieffert, Harant and Guignard (originally Harant et Guignard) were mainly Parisian retailers
of crystal and glass, they did however sell some ceramics, and commissioned pieces. Indeed, they acquired the firm of Charles Lerosey (Le Rosey),
who decorated soft-paste porcelain vases by Naudot, often with Japoniste floral designs and
sometimes with émail cloissoné, following the technique introduced by Thesmar to Sèvres.
Some pieces were decorated by Louis Eugéne Sieffert, others by Adolphe Faugeron.
Their works were exhibited at the 1900 Exposition Universelle.
Their work seems to be quite rare. (Information graciously provided by Professor Paul Arthur).
VASE, 1910-1914
Stoneware
Signed and numbered N62
37 cm. high
SET OF SIX SPOONS, 1907
Silver
In its original box
With French Minerva mark and silversmith’s mark
15 cm. long
Exhibition
Galerie A.-A. Hébrard, 8, rue Royale, Paris, 2 December-25 December 1907
ReConnaître Carlo Bugatti, Musée d’Orsay, Paris, 10 April-15 July 2001, n. 78 in the exhibition catalogue
Uzès Exposition, ancien Évêché, Monticelli, précurseur de l’impressionnisme & Bugatti, une dynastie de créateurs, 22 June – 13 October, 2024
VASE, CIRCA 1900
Silver
Marked CARDEILHAC PARIS with the letter A, with silversmith’s mark and french Minerva mark
18.5 cm. high
Between 1894 and 1899, Lucien Bonvallet designed several silverware pieces intended
for the Exposition Universelle of 1900, all decorated with a vegetal pattern such as thistles,
columbines, mistletoe, clovers, etc.
These models were exhibited on the occasion of a retrospective dedicated to Lucien Bonvallet
in january and february 1913, at the Pavillon de Marsan, Musée des Arts Décoratifs, Paris