PAUL FOLLOT – LA MAISON MODERNE – TABLE LAMP, CIRCA 1900
TABLE LAMP, CIRCA 1900
Silvered bronze with original patina, with a stylized vegetal decor
Signed on the foot
60 cm. high
Showing 817–840 of 844 results
MANUFACTURE NATIONALE DE SEVRES – A PAIR OF VASES, CIRCA 1900
A PAIR OF VASES, CIRCA 1900
Porcelain decorated with flowers and leaves; the chased mount in patinated wrought-iron
Marked with the manufacturer’s stamp and respectively numbered S97 and S98
24 cm. high
EDMOND HENRI BECKER – SUSSE FRERES – “FRAISIA” BOX, CIRCA 1905
“FRAISIA” BOX, CIRCA 1905
Patinated gilt bronze
Signed Becker and Susse Frs Edt Paris
7.5 cm. high
20 cm. wide
11 cm. deep
Bibliography
Illustrated in the catalogue of Susse Frères, p. 17, n. 162
EDGAR WILLIAM BRANDT – IMPORTANT VASE, CIRCA 1910
IMPORTANT VASE, CIRCA 1910
Patinated bronze with seaweed motif
50 cm. high; 25 cm. wide
Exhibition
Salon des Artistes Français, Paris, 1 May – 30 June 1910
Bibliography
Joan Kahr, Edgar Brandt, Master of Art Déco Ironwork, Harry N. Abrams Inc. Publishers, New York, 1999, p. 37
L’Art Décoratif aux Expositions des Beaux-Arts, Librairie d’Art Décoratif, Armand Guérinet, editor, pl. 56
PAUL MILET – GUSTAVE KELLER – BALUSTER VASE, CIRCA 1900
BALUSTER VASE, CIRCA 1900
Beige ceramic with nuanced tones. It rests on a gilt bronze base decorated with scrolls
Bearing the monogram PMP and located Sèvres, the mount is signed G. Keller Paris
37.5 cm. high
Bibliography
Paul Arthur, French Art Nouveau Ceramics, An Illustrated Dictionary, Norma Editions, 2015, ill. p. 383
ETIENNE DINET – RENE KIEFFER – “LE PRINTEMPS DES COEURS”
“LE PRINTEMPS DES COEURS”
Paris, Piazza, 1902. 1 volume in 8°
60 compositions en couleurs et or d'Etienne Dinet, dont six hors texte. Légendes sahariennes recueillies par Sliman Ben Ibrahim BAAMER, traduites et illustrées par Etienne Dinet, exemplaire n° 287/300 sur papier vélin à la cuve des manufactures Blanchet et Kléber. Couverture et dos conservés. Reliure de René Kieffer. Maroquin havane, plats ornés, femme saharienne et palmiers sur le premier plat, porte et feuillages sur le 2ème plat. Décor mos. ovales sur les contre-plats sertis à froid, encadrements de filets d'or, gardes de soie, décor floral, tête dorée, étui à bandes de maroquin havane.
Catherine Lacaille, lyonnaise, a beaucoup travaillé sur des cuirs et sur des cuivres. Ele produit en outre des émaux de qualité dont un des plus beaux est : “M. Rollet dans sa bibliothèque”.
FRANCOIS-EUGENE ROUSSEAU – VASE, CIRCA 1900
VASE, CIRCA 1884-1900
Internally decorated thick glass, decorated with engraved fishes and algae
11 cm. high
Another example of this design is part of the Gerda Koepff Collection, with a label of Léveillé-Rousseau under the base
Exhibition
Bestiaire de verre, de la fin du XIXe siècle à nos jours, Musée du verre, Conches en Ouche, 9 March-24 November 2019, ill. p. 14
GASTON BUSSIERE – “BRUNNHILD”, CIRCA 1900
“BRUNNHILD”, CIRCA 1900
Watercolor
Signed
28 x 20 cm.
LUCIEN LEVY-DHURMER – “LA MOISSON”
“LA MOISSON”
Pastel on paper
Signed lower right
77 x 56 cm.
With the frame: 114 x 96 cm.
Exhibition
Autour de Lévy-Dhurmer/ Visionnaires et Intimistes en 1900, Grand Palais, Paris,
3 March – 30 April 1973, similar work, n. 89 in the exhibition catalogue
ROYAL COPENHAGEN – ANDREA PETERSEN – “LEZARD” VIDE-POCHE, CIRCA 1900
“LEZARD” VIDE-POCHE, CIRCA 1900
Porcelain
Bearing the manufacturer’s seal and numbered 1100 and 158
20 cm. diameter
ALFRED FINOT – JOSEPH ET PIERRE MOUGIN – “LA VAGUE” JARDINIERE, CIRCA 1900
“LA VAGUE” JARDINIERE, CIRCA 1900
Glazed stoneware
Signed by both artists
17 x 28 cm. high
Bibliography
Jacques G. Peiffer, Les Frères Mougin, Sorciers du grand feu, Grès et porcelaine 1898-1950, éditions Fatton, 2001, ill. p. 152
ALFRED FINOT – JOSEPH ET PIERRE MOUGIN – MILK JUG, CIRCA 1900
MILK JUG, CIRCA 1900
Grès
Signed Mougin Frs, bearing the monogram AF and numbered
12 cm. high
Bibliography
Francine Bertrand, Joseph et Pierre Mougin poètes du feu, 2000, ill. p. 13
EDOUARD LOUIS HENRY-BAUDOT – NAIADE
NAIADE
Gouache
Signed
88 x 98 cm.
Provenance
The artist’s estate
MAURICE DUFRENE – LA MAISON MODERNE – TABLE LAMP, CIRCA 1900
TABLE LAMP, CIRCA 1900
Silvered patinated bronze
62 cm. high
32 cm. diameter
EMILE DECOEUR – VASE, CIRCA 1903-1905
VASE, CIRCA 1903-1905
Shape as an eggplant, rouge-sang-de-boeuf
Bearing the artist monogram, with trefoil, and numbered 03.12
23 cm. high
Bibliography
Le Style Moderne. L’ART APPLIQUÉ Revue Internationale, 1904-1905, H. Laurens Editeur, Paris. ill. pl. 35
HENRI SIMMEN – VASE, CIRCA 1910-1912
VASE, CIRCA 1910-1912
Stoneware
Signed and numbered N62
37 cm. high
CARLO BUGATTI – ADRIEN-AURELIEN HEBRARD – SET OF SIX SPOONS, 1907
SET OF SIX SPOONS, 1907
Silver
In its original box
With French Minerva mark and silversmith’s mark
15 cm. long
Exhibition
Galerie A.-A. Hébrard, 8, rue Royale, Paris, 2 December-25 December 1907
ReConnaître Carlo Bugatti, Musée d’Orsay, Paris, 10 April-15 July 2001, n. 78 in the exhibition catalogue
Uzès Exposition, ancien Évêché, Monticelli, précurseur de l’impressionnisme & Bugatti, une dynastie de créateurs, 22 June – 13 October, 2024
SOLD
LUCIEN BONVALLET – ANTOINE-ERNEST CARDEILHAC – VASE, CIRCA 1900
VASE, CIRCA 1900
Silver
Marked CARDEILHAC PARIS with the letter A, with silversmith’s mark and french Minerva mark
18.5 cm. high
Between 1894 and 1899, Lucien Bonvallet designed several silverware pieces intended
for the Exposition Universelle of 1900, all decorated with a vegetal pattern such as thistles,
columbines, mistletoe, clovers, etc.
These models were exhibited on the occasion of a retrospective dedicated to Lucien Bonvallet
in january and february 1913, at the Pavillon de Marsan, Musée des Arts Décoratifs, Paris
ANDRE-FERNAND THESMAR – CAMILLE NAUDOT – CUP AND SAUCER, 1895-1896
CUP AND SAUCER, 1895-1896
Enameled porcelain
In its box set
Bearing the monogram of the artist; the cup dated 1895 and the saucer 1896. Marked C N
The cup: 6 cm. high; 7.3 cm. diameter
The saucer: 13 cm. diameter
SOLD
ANDRE-FERNAND THESMAR – ALBERT DAMMOUSE – CUP, CIRCA 1897
CUP, CIRCA 1897
Gilt-cloisonné enamelled stoneware, decorated with flowers and insects
Signed and dedicated to Jeanne Dammouse
Height: 9.5 cm.
Bibliography
Paul Arthur, French Art Nouveau Ceramics: An Illustrated Dictionary, Norma Editions, 2015, ill. p. 354
At the 1900 Exposition Universelle, Thesmar presents his works in gilt-cloisonné enamelled stoneware
for the first time. We have no evidence that Thesmar designed ceramics. We know that he decorated
Sèvres porcelain with enamels ; the ceramics were provided by the Manafacture Nationale.
Because this piece is dedicated to Jeanne Dammouse, we assume it was provided
by the ceramist Albert Dammouse
According to our records, no other example is known to exist
JULES DESBOIS – “BAIGNEUSE” BOTTLE AND “LES TROIS AGES DE LA VIE” STOPPER, CIRCA 1900
“BAIGNEUSE” BOTTLE AND “LES TROIS AGES DE LA VIE” STOPPER, CIRCA 1900
Patinated bronze
Signed J. Desbois and numbered 804 B
22 cm. high
Bibliography
Catalogue de la maison Siot-Decauville, ill. p.104
Philippe Dahhan, Etains 1900, Les éditions de l’amateur, Paris, 2000, ill p. 116, n. 293-295 (Model in pewter)
ANTOINE FERDINAND FAIVRE – “CHLOE ENDORMIE”, CIRCA 1900
“CHLOE ENDORMIE”, CIRCA 1900
Marble sculpture
Signed
45 x 18 x 27.5 cm.
CAMILLE COLOT – HAND MIRROR, CIRCA 1900
HAND MIRROR, CIRCA 1900
Hammered and patinated copper
Signed
40.5 cm. long
GEORGES TONNELIER – “NESSUS ENLEVANT DEJANINE”, CIRCA 1900
“NESSUS ENLEVANT DEJANINE”, CIRCA 1900
Silver; the base in sculpted onyx
Signed Tonnelier HC
16 cm. high