PAUL CELESTIN GRANDHOMME – SET OF THREE RECTANGULAR PLAQUES, AFTER 1918
SET OF THREE RECTANGULAR PLAQUES, AFTER 1918
Mother-of-pearl, with a design in light relief of women in the antique style
Signed Grandhomme Morel
Height: 8 cm.
Showing 145–168 of 711 results
ALFRED JOREL – TWO CHILDREN IN CLOGS
TWO CHILDREN IN CLOGS
Pair of carved ivory statuettes
Signed on the marble bases
Height: 8.7 cm and 8.8 cm.
Total height: 13.3 cm. and 13.4 cm.
BING & GRONDAHL – VASE, CIRCA 1900
VASE, CIRCA 1900
Porcelain, with a polychrome country design
Bearing the manufacturer’s stamp, numbered 6760/95 and bearing the decorator’s mark
Height: 27 cm
BING & GRONDAHL – KAI NIELSEN – SET OF FIVE FIGURES, CIRCA 1900-1910
SET OF FIVE FIGURES, CIRCA 1900-1910
Grès, featuring fauns and women in harvest scenes
Signed, bearing the manufacturer stamp
Height: 9.5 to 23 cm.
Bibliography
Skonvirke, vol. 1, 1914-15, p. 40
HENRI SIMMEN – IMPORTANT VASE, 1911
IMPORTANT VASE, 1911
Large grès baluster footed vase decorated with brown and black enamel dotted spiral patterns
Signed. With original handwritten label H° 1 250
Height: 34 cm.
Exhibition
Salon d’Automne, Paris, 1911
AUGUSTE LEDRU – THIEBAUT FRÈRES – IMPORTANT VASE, CIRCA 1900
IMPORTANT VASE, CIRCA 1900
Bronze with a brown patina, decor in light relief of several figures. The handle in the shape of a naked woman
Signed
Height: 51 cm.
Exhibition
SNBA 1895
Bibliography
The Paris Salons, ill. p. 372 (model in pewter)
ALEXANDRE BIGOT – ALFRED JEAN HALOU – “SERPENT ENSERRANT UN CRAPAUD”, MODEL OF 1898
“SERPENT ENSERRANT UN CRAPAUD”, MODEL OF 1898
Very rare plate in grès
Signed and dated 1900
Tiny old restoration
Diameter : 27 cm
Exhibition
At the Exposition Universelle of 1900, Bigot had his own pavilion entirely made in grès.
He also exhibited afresco of three squares depicting a circle of toads after Halou.
At the end of the exhibition, the entire pavilion
was acquired by the Museum of Applied Arts in Budapest
EMILE GALLE – VASE, CIRCA 1900
VASE, CIRCA 1900
Multi layered glass with powder inclusions, thickly overlaid and carved with a crocus
Signed with a diamond point
Height: 14 cm.
MANUFACTURE NATIONALE DE SEVRES – LOUIS-MAURICE BOCQUET – GENEVIEVE RAULT – VASES D’ANGERS, 1902
VASES D'ANGERS, 1902
Hard-paste porcelain. Polychrome design of fuschias
Author of the decor: Geneviève RAULT
Decorated by: Louis-Marie BOCQUET
Height: 60 cm
Bibliography
L'Art Décoratif, June 1902, ill. p. 126
NILS DE BARCK – IMPORTANT VASE, 1900
IMPORTANT VASE, 1900
Grès with a design of nudes in high relief
Signed, located St. Amand and dated 1900
Height: 43.5 cm.
EDOUARD-LOUIS HENRY-BAUDOT – “LA GUERRE”, CIRCA 1910
“LA GUERRE”, CIRCA 1910
Charcoal, watercolor and gouache
Signed lower right
100 x 95 cm.
Provenance
The artist’s estate
LUCIEN BONVALLET – VASE, CIRCA 1910
VASE, CIRCA 1910
Patinated copper, entirely hammered with a algae repoussé design
Signed, numbered 8 and 24
Height: 27 cm.
LUCIEN BONVALLET – VASE, CIRCA 1910
VASE, CIRCA 1910
Copper, entirely hammered
Signed in full, located Paris and decorated with a clover.
Height: 22 cm.
Bibliography
L’Art Décoratif, January 1910, ill. page 22
HENRI HUSSON – LARGE POT, CIRCA 1904
LARGE POT, CIRCA 1904
Patinated copper, precious metal applications and inlay
Edited by A. A. Hébrard, Paris, France
Underside incised H Husson and impressed A HEBRARD/PARIS
26.8 x 32 x 30 cm.
LOUIS HESTAUX – TRAY, CIRCA 1900
TRAY, CIRCA 1900
Carved pearwood in the shape of a tree with foliage and branches above leaves and fruits
Signed
43 cm. long
Together with Victor Prouvé, Louis Hestaux was Emile Gallé’s closest collaborator
BERNARD HOETGER – EUGENE BLOT – LA MAISON MODERNE – “PETITES NYMPHES”, CIRCA 1900
“PETITES NYMPHES”, CIRCA 1900
Bronze with a brown patina
Signed and bearing the foundry seal EUG. BLOT / B. DE LA MADELEINE / PARIS
30 cm. high
Exhibition
Darmstadt Ein Dokument Deutscher Kunst 1901-1976, Die Künstler der Mathildenhöhe,
22 October 1976-30 January 1977, ill. vol. 4, p. 103, n. 328 in the exhibition catalogue
(collection Barlach-Heuer, Paris)
Bibliography
La Maison Moderne, Documents sur l’Art Industriel au vingtième siècle, nd,
Edition de la Maison Moderne, ill. p. 11, n. 3423-1
Laurence Buffet-Challié, Le Modern Style, Baschet & Cie éditeurs, nd, ill. p. 50, n. 2
ERNEST-EMILE CHAPLET – VASE, CIRCA 1900
VASE, CIRCA 1900
Ceramic with a green and blue glaze on a rouge sang-de-boeuf background
Signed with the rosary mark
12.5 cm. high
COMTE ENGUERRAND DU SUAU DE LA CROIX – PLIQUE A JOUR ENAMEL PENDANT, CIRCA 1900
PLIQUE A JOUR ENAMEL PENDANT, CIRCA 1900
Green and red enamelled leaves and berries
The chain in silver
Pendant height: 4 cm
PIERRE ROCHE – “LA MORT” (DEATH), CIRCA 1900
“LA MORT” (DEATH), CIRCA 1893-1894
Patinated bronze sculpture
Signed
Height: 55 cm.
Exhibition
Intérieurs 2011 – L’Art de vivre avec l’art, Artcurial, Paris, 8-22 September 2011,
exhibited on the booth of Mrs Roxane Rodriguez
Bibliography
L’Art Décoratif, April 1901, ill. p. 8 (Detail in glossy earthenware)
Art et Décoration, April 1904, ill. p. 121
Catalogue des Objets d’Art Moderne faisant partie de la Collection Roger Marx, p. 23,
n. 132 for an example in glossy terracotta
Musée des Arts décoratifs, inv.27961: “Ce buste en terre cuite polychrome appartient sans doute à un projet de décor inachevé. Le visage hiératique de La Mort est rehaussé de touches verdâtres sur les paupières et les lèvres, évoquant le bleuissement d’une noyée et accentuant l’étrangeté de l’œuvre. Cette iconographie unique dans son œuvre montre une nouvelle fois l’influence du courant symboliste dont la mort est une thématique centrale”
There is also an example of just the bust in the Musée des Arts Décoratifs:
Titre : La mort
Dénomination : buste de femme
Date : 1895
Dimensions : H : 17 cm ; L : 15,4 cm ; P : 8 cm
Inscriptions – marques : aucune
Lieu de conservation : Paris, musée des arts décoratifs (inv.27961)
Matériaux : terre cuite lustrée avec rehauts de couleur verte sur la bouche et les yeux
Historique : don de Louis Massignon et de sa soeur en souvenir de leur mère, entrée le 12 novembre 1931
FRANCOIS-EMILE DECORCHEMONT – “GRAND VASE TROIS FIGURES”, DESIGNED IN 1914, EXECUTED IN 1914-1919
“GRAND VASE TROIS FIGURES”, DESIGNED IN 1914, EXECUTED IN 1914-1919
Model n. 59, translucent and partly coloured pâte-de-verre, decorated with three relief
moulded medallions, each featuring a women set in profile
Stamped with artist circular mark
Height: 22.5 cm.
Exhibition
Véronique Ayroles, François Decorchemont Maître de la pâte de verre, éditions Norma, 2006,
ill. p. 65 and 239 for the design
Four examples of this model were executed and only one other severely damaged has appeared in auction in 2016
Presently on loan to the Musée du Verre François Décorchemont, in Conches-en-Ouches
CHARLES KORSCHANN – LOUCHET PAUL, Maison – “LE SECRET” TABLE CLOCK, 1897
“LE SECRET” TABLE CLOCK, 1897
Gilt bronze
Signed Korschan / PARIS and dated 97. Signed LOUCHET under the base
31 x 11.5 x 10.5 cm.
ALBERT DAMMOUSE – PITCHER, CIRCA 1900
PITCHER, CIRCA 1900
Grès with a floral design on a turquoise background with sang-de-boeuf glaze
Signed underneath with the initials and S (For Sèvres)
Height: 11 cm.
PHILIPPE-JOSEPH BROCARD – VASE, CIRCA 1900
VASE, CIRCA 1900
Transparent glass slightly tinted in green and mottled white. Design of mulberry branches, leaves and fruits applied in translucid green and amethyst enamels highlighted with gold
14 cm. high
FELICIEN ROPS – “CLOWNERIE INTIME”
“CLOWNERIE INTIME”
Ink and red pencil on paper
Stamp bottom left M. Pereire
Stamp bottom right JO
12.5 x 9 cm.
With the frame: 32.5 x 27.7 x 2.2 cm.