Showing 145–168 of 867 results

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A GROUP OF SEALS, CIRCA 1900

THEOPHILE HINGRE
LOUCHET, Chaser
Silvered bronze, featuring two dragonflies facing each other on a sprig of lily of the valley
Signed T. HINGRE and LOUCHET
9.8 cm. high

GUSTAVE GURSCHNER
LA MAISON MODERNE
“MEDITATION” SEAL, CIRCA 1900
Gilt bronze
Height: : 9.5 cm.

Bibliography
Documents sur l’Art Industriel au vingtième siècle. Reproductions photographiques des principales œuvres des collaborateurs de La Maison Moderne, La Maison Moderne, Paris 1901, La Sculpture,
ill. p. 14, seal, n. 724-1

JOE DESCOMPS
SUSSE FRERES
“TANAGRA” SEAl, CIRCA 1900
Gilt bronze
Signed Joé Descomps and Susse Fres
Height: 9.8 cm.

FRENCH
“LES VIOLETTES” SEAL, CIRCA 1900
Silver
With French Minerva mark
Height: 8 cm.

Bibliography
An identical model in gilt bronze is illustrated in Les Sceaux, Empreintes du Pouvoir, Roberto Lucio Rosaia, éditions Langlaude, p. 176

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DAUM NANCY – JACQUES GRUBER – JULES MARCHAND, Engraver – “VIGNE” VASE, 1895

“VIGNE” VASE, 1895
Moulded, blown, internally decorated glass, overlaid in black, deeply acid-etched
and wheel-carved, applied decoration
Gilt intaglio signature Daum Nancy with the cross of Lorraine, inscribed Mo and Fecit, dated 1895,
signed Gruber Del and J. Marchand
46 cm. high

Jacques Gruber was the most prominent designer working at Daum between 1893 and 1897.
From 1893, he designed vessels intended for national and international exhibitions,
most of which were unique pieces. He is most probably the author of the shape that appeared
in 1894 and of which very few examples are known, more or less all equal in height and with
various designs of poppies, thistles, sweet peas, and peacock feathers.
Most of them are presently in museums. We were unable to locate a similar example in that particular height.
Jules Marchand was the principal engraver at the Daum workshop. Working with an oil lamp, he ended his life blind

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ALPHONSE DEBAIN – VASE, CIRCA 1900

VASE, CIRCA 1900
Red flamed ceramic, with an openwork ‟whiplash” mount at the base in the style of van de Velde, and the neck designed in the same spirit
With French Minerva mark and silversmith mark
Height: 14 cm.

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ANONYMOUS – “CRANE AND REEDS” FLOOR LAMP, CIRCA 1900-1905

“CRANE AND REEDS” FLOOR LAMP, CIRCA 1900-1905
Bronze and patinated metal
Height: 175 cm.

This work, likely of Japanese origin, is a masterful example of the decorative appeal of bronze cranes around 1900, following the Western importation of sacred animals. Impressive in scale and retaining its original patina, our floor lamp is a brilliant illustration of the integration of fauna and flora into a lighting fixture in keeping with contemporary taste.

Other examples of this type of floor lamp are known: one is held in the Gillion Crowet Collection (Belgium), and another, from the Rispal donation (France, 2005), is part of the Musée d'Orsay collections.”

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C.G HALLBERG, STOCKHOLM – MARIUS HAMMER, BERGEN – BOWL, CUP

SMALL BOWL, 1898
Plique-à-jour enamel and silver, resting on four feet
Signed CG Hallberg Stockholm 1898
10.5 cm. diameter

VIKING LONGSHIP OPEN SALT 
Plique-à-jour enamel and silver
Signed Marius Hammer Bergen
A similar cup at the Musée des Arts décoratifs in Budapest.
9 cm. long

Both items made at Marius Hammer in Bergen and retailed by CG Hallberg in Stockholm.

Provenance
Antikumakare Ingvar Mansson, Sweden

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JOSEPH ET PIERRE MOUGIN – “ALGUES” JUG, CIRCA 1900

“ALGUES” JUG, CIRCA 1900
Patinated stoneware with seaweed decoration in low relief, the handle shaped like a naiad
Numbered 112 J in relief under the base and Mougin / Nancy
Height: 23 cm.

Bibliography
Jacques Peiffer, Les frères Mougin / Sorciers du grand feu, éditions Faton, Paris 2001, ill. p. 47

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JULES DALOU – SUSSE FRERES – “LE PAYSAN REMONTANT SA MANCHE” OR “LE TRAVAIL”

“LE PAYSAN REMONTANT SA MANCHE” OR “LE TRAVAIL”
Bronze sculpture with shaded brown patina.
Signed and bears the circular Susse stamp, M, as well as the mark of the Syndicat des Fabricants de Bronze 1818 Unis France. Marked Susse Frères éd. Paris.
Height: 30 cm.

Bibbliography
Pierre Kjelberg, Les bronzes du XIXème siècle – Dictionnaire des sculpteurs“, les éditions de l’amateur, 1996, ill. p. 246
Pierre Cadet, Susse Frères – 150 years of sculpture, 1837 – 1987, edited by Susse frères, ill. p. 193, on the plate of the 1905 catalogue

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MANUFACTURE NATIONALE DE SEVRES – JULES DALOU – “TERRASSIER A LA PELLE”, 1907

“TERRASSIER A LA PELLE”, 1907
Beige patinated biscuit
Signed and bears the triangular stamp dated 1907
Height: 18.2 cm.

Bibliography
Art et Décoration, September 1903, p. 274: Model illustrated in terracotta
Le Biscuit de Sèvres – Recueil des Modèles Modernes de la Manufacture de Sèvres, published by Emile Bourgeois et Geo. Lechevallier-Chevignard, tom II, edited by Pierre Lafitte & Cie, ill. pl. 11,
référence n. 1355
Les œuvres de la Manufacture nationale de Sèvres – Tome II, La Sculpture moderne, ill. pl. 56, n. 1532

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MANUFACTURE NATIONALE DE SEVRES – VASE, 1900

VASE, 1900
Flamed porcelain.
Bearing the manufacturer’s stamp for 1900 and decoration for 1901.
Height: 18 cm.

Bibliography
Vases with a similar shape illustrated in L’Art Décoratif aux Expositions des Beaux-Arts, 1905, pl. 66, 68 & 79.

450 €

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EMILE GALLE – RARE AND IMPORTANT CABINET, CIRCA 1900

RARE AND IMPORTANT CABINET, CIRCA 1900
Exotic marquetry inlaid wood, decorated with dragonflies and flowers, the front adorned with a dragonfly in relief
Signed
137 cm. high; 83 cm. wide; 44 cm. deep

Bibliography
Alastar Duncan, Georges de Bartha, Gallé Furniture, Antique Collectors’ club, 2012, ill. p. 292