ROYAL COPENHAGEN – “SWEET PEA AND BUTTERFLY” PLATE
“SWEET PEA AND BUTTERFLY” PLATE
White porcelain plate with sweet pea and butterfly decor in green and blue tones
Customary seals, numbered 1174/10520 in green and 90 in blue
22 cm in diameter
Showing 337–360 of 670 results
ROYAL COPENHAGEN – ANNA SMIDTH – “HERMIT CRABS AND SEAWEED” UNIKAT VASE, 1901
“HERMIT CRABS AND SEAWEED” UNIKAT VASE, 1901
UNIKAT vase decorated with hermit crabs and seaweed, January 1901
Numbered 7713
49 cm. high
ROYAL COPENHAGEN – ANNA SMIDTH – LARGE BALUSTER VASE
LARGE BALUSTER VASE
Porcelain, with lacustrine decor in blue tones on a white background
Signed at the bottom and under its base
Bearing the manufacturer’s customary seals
Marked 12 Z and numbered 10410
44 cm. high
ROYAL COPENHAGEN – ARNOLD KROG – “TÊTE-À-TÊTE” TEA AND COFFEE SERVICE
“TÊTE-À-TÊTE” TEA AND COFFEE SERVICE
Porcelain
Exhibition
Exposition Universelle, Paris, 1900
Bibliography
Art et Décoration, décembre 1900, repr. p. 196
ROYAL COPENHAGEN – JENNY SOPHIE MEYER – “EPIS ET FLEURS BLEUES” UNIKAT VASE, 1896
“EPIS ET FLEURS BLEUES” UNIKAT VASE, 1896
Decorated porcelain
Bearing the manufacturer’s seal and marks, numbered 6048, signed and written out in full and dated M and 10 (for October 1896)
23 cm. high
ROYAL COPENHAGEN – TOP-SHAPED BOUQUET HOLDER
TOP-SHAPED BOUQUET HOLDER
Enameled porcelain with spinning polychrome orchids decor, the neck ornamented with three small handles
The cover of the suspension ring in bronze and ropes
Signed with the manufacturer’s stamp in green, numbered 62 in blue for the artist and 5/5 in green
21 cm. in diameter ; 17.5 cm. high
ROYAL COPENHAGEN – “PHALENES” VASE
“PHALENES” VASE
Openwork vase in enameled white and blue porcelain decorated with pepper moths and foliage
Signed with the circular stamp under its base and numbered 1295/777 and 58
Painted by Fr A Richter
14 cm. high
ROYAL COPENHAGEN – “ROSE” VASE
“ROSE” VASE
Porcelain
Signed with the manufacturer’s stamp and numbered 815/294 in green and 98 in blue
19 cm. high
BING & GRONDAHL – EFFIE HEGERMANN-LINDENCRONE – BONBONNIERE, 1927
BONBONNIERE, 1927
UNIKAT bonbonnière with shells design
Bearing the manufacturer's seal, the monogram of the artist and numbered 1960 and 27
11 cm. high
BING & GRONDAHL – ELISABETH DREWES KOFOED – VASE
VASE
Small baluster vase in enameled porcelain heightened in gold
Signed
14 cm. high
BING & GRONDAHL – “MAPLE LEAVES” VIDE-POCHE
“MAPLE LEAVES” VIDE-POCHE
Vide-poche decorated with maple fruit and leaves
Signed B&G and SD 1113
18 cm. long; 16.3 cm. wide; 3.5 cm. high
LOUIS LOURIOUX – LA MAISON MODERNE – ABEL LANDRY – VASE, 1902-1904
VASE, 1902-1904
Molded porcelain vase with square shoulders and small neck, decorated with delicate enamel flowers in blue, green and beige heightened in gold
Signed with the monogram
17.5 cm. high
Bibliography
Alastair Duncan, The Paris Salons volume IV : ceramics and glass, Antique Collectors' Club, Woodbridge, 1998, modèle similaire reproduit p. 285
EMILE GALLE – LIQUEUR SET, CIRCA 1900
LIQUEUR SET, CIRCA 1900
Enameled smoked glass decorated with thistles and the Cross of Lorraine
Including two jugs and their stoppers, 12 small glasses and a tray
Signed
JACQUES GRUBER – TRAY, CIRCA 1900
TRAY, CIRCA 1900
Sculpted wood and carved glass
The woodworking executed by Etablissements Vallin or Ferez
39.5 x 70 cm. high
VICTOR PROUVE – “PORTRAIT DE MLLE PAUL”, 1891
“PORTRAIT DE MLLE PAUL”, 1891
Pastel on wood panel
Signed and dated 1891
The frame in “bois de Sainte-Lucie” (prunus mahaleb)
With the frame: 193 x 135 cm.
Exhibition
Société Nationale des Beaux-Arts, 1892, n. 1331
Bibliography
Chantal Humbert, Les Arts Décoratifs en Lorraine de la fin du XVIIème siècle à l’ère industrielle,
les éditions de l’amateur, ill. p. 136
RUPERT CARABIN – “FEMME AU CHAT”, 1897-1898
“FEMME AU CHAT”, 1897-1898
Patinated gilt bronze
Signed
49 cm. high
Exhibition
Société nationale des Beaux-Arts, Paris 1898
Musée Galliéra, Paris 1934-1935
L’oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, n. 86 in the exhibition catalogue François-Rupert Carabin, Musée d’Art Moderne de Strasbourg and Musée d’Orsay, 1993, ill. p. 87, n. 66 in the exhibition catalogue
Bibliography
Catalogue de la Société nationale des Beaux-Arts, 1898
G. Geffroy: La vie artistique, 1898, p. 354
Catalogue de l’exposition Carabin au musée Galliéra, 1934-1935
L’oeuvre de Rupert Carabin, Galerie du Luxembourg, 1974, ill. p. 178
EDWARD COLONNA – ART NOUVEAU BING – SALON SUITE, CIRCA 1900
SALON SUITE, CIRCA 1900
Carved mahogany; comprising:
One sofa, two armchairs, two chairs
The sofa: 93 cm. high; 161.5 cm. wide
Each armchair: 101 cm. high; 64 cm. wide
Each chair: 92.5 cm. high; 46 cm. wide
Exhibition
Another example of this salon suite was exhibited at the 1900 Exposition Universelle, Paris, in Siegfried Bing’s pavilion, L’Art Nouveau Bing, with a multitude of artworks including jewellery by Edward Colonna and other furniture and decorative objects by Georges de Feure, Eugène Gaillard and Marcel Bing
GEORGES TONNELIER – “DANSEUSE NUE AUX CYMBALES”, CIRCA 1900
“DANSEUSE NUE AUX CYMBALES”, CIRCA 1900
Satin finish rock crystal; the base in fluorspar
Signed
23 cm. high; 31.5 cm. high including the base
A very fine stone carver, Georges Tonnelier worked mainly with the jeweller Falize
His works are only found in museums and major institutions. The Walter Arts Museum in Baltimore,
Maryland has four rock crystal statuettes and one other is at the Chrysler Museum of Art in Norfolk, Virginia
JULES PAUL BRATEAU – SMALL CASKET, CIRCA 1900
SMALL CASKET, CIRCA 1900
Pâte d’émail
Signed
5 cm. high; 8 cm. long; 5 cm. wide
The mount attributed to Castel-Cléret (the Société Nationale des Beaux Arts catalogue
of 1910 mentions Brateau objects mounted by the firm of Castel-Cléret).
Bibliography
Janine Bloch-Dermant, Guidargus de la Verrerie, 1988, ill. p. 323
ERNEST WANTE – “ANDROMEDE”, CIRCA 1900
“ANDROMEDE”, CIRCA 1900
Bronze with gilt and green brown patina
Titled and signed
28 x 10 x 11 cm.
BERNARD HOETGER – “STEHENDES MÄDCHEN” (“L’ENFANT”), CIRCA 1901
“STEHENDES MÄDCHEN” (“L’ENFANT”), CIRCA 1901
Bronze with a brown patina
Signed
20.5 cm. high
Bibliography
Pierre Kjellberg, Les Bronzes du XIXème siècle, Dictionnaire des sculpteurs, les Editions de l’Amateur, 1989, model mentioned p. 379
EMILE ZIEGLER – SET OF 6 SPOONS AND A SUGAR TONG, CIRCA 1900
SET OF 6 SPOONS AND A SUGAR TONG, CIRCA 1900
Silver with a floral design
In its fitted box
With French Minerva mark and silversmith mark
Spoons: 11.9 cm. long
Sugar tong: 10.5 cm. long
FRENCH – PAIR OF VASES, CIRCA 1900
PAIR OF VASES, CIRCA 1900
Marble. Gilt bronze mount with a design of thistle leaves
50 cm. high
CHARLES DUBRET – SERVING SET, CIRCA 1900
SERVING SET, CIRCA 1900
Vermeil, comprising 12 spoons and a shovel
With an incised and patinated design of flowers; each different
The handle is openwork and decorated with bellflowers
In its fitted box of la maison Ch. Dubret, 83 rue de la Liberté, Dijon
With French minerva mark and silversmith mark (PG & Cie) attributed to Pierre Galli
Spoon: 14 cm. long
Shovel: 26.7 cm. long